Thursday, April 25, 2019
Il n'y a pas d'Apocalypse sans Révélation
Apocalypse Sans fin de Jean
de Patmos ou de Jésus Christ
Abstract:
Trois
approches de l'Apocalypse de Saint Jean qui clôt le Nouveau Testament.
D'une part une adaptation en réécriture orale poétique par Jacques Coulardeau en ebook Kindle et mise en voix par Jacques Coulardeau sur une musique de Kévin Thorez en MP3 sur toutes les plateformes de vente de musique virtuelle.
D'autre part une nouvelle traduction de l'Apocalypse de Jésus Christ de Jean de Patmos à partir du texte grec ancien par un groupe de six personnes de l'Atelier de Grec Biblique du Diocèse de Poitiers.
L'apocalypse, loin d'être un livre de peur et de frayeur est une oeuvre visionnaire d'une humanité se libérant et libérée de ses fantasmes et de ses horreurs criminelles.
Et dire qu'on décapite et crucifie encore des hommes dans ce monde qui n'a pas encore trouvé la porte vers cette Jérudsalem Messianique dont nous rêvons tous.
D'une part une adaptation en réécriture orale poétique par Jacques Coulardeau en ebook Kindle et mise en voix par Jacques Coulardeau sur une musique de Kévin Thorez en MP3 sur toutes les plateformes de vente de musique virtuelle.
D'autre part une nouvelle traduction de l'Apocalypse de Jésus Christ de Jean de Patmos à partir du texte grec ancien par un groupe de six personnes de l'Atelier de Grec Biblique du Diocèse de Poitiers.
L'apocalypse, loin d'être un livre de peur et de frayeur est une oeuvre visionnaire d'une humanité se libérant et libérée de ses fantasmes et de ses horreurs criminelles.
Et dire qu'on décapite et crucifie encore des hommes dans ce monde qui n'a pas encore trouvé la porte vers cette Jérudsalem Messianique dont nous rêvons tous.
Research Interests:
New Testament, Apocalypticism, Eschatology
and Apocalypticism, Apocalypticism
In Literature, Bible, Babylon, The
Apocalypse of John, Histoire
Du Christianisme Ancien, Jesus Christ, Jugement dernier, Christianisme, Doomsday, The Book of
Revelation, John of Patmos,
and The
Second Coming of Jesus Christ
Tuesday, April 23, 2019
No psychological hope without language
No Cognition Without
Communication
A
long paper of mine on the relation between cognition and communication in both
phylogenic and psychogenetic perspectives has just been published in the
journal Psychology Research in New York. This study is the deep investment of
the most advanced researches in archaeology and the psychology of communication
into psychomechanics within the fast evolving environment of language
processing machines and Artificial Intelligence. Linguistics is becoming the
key science to any serious development in these fields. The paper is in
open-access on the publisher's site.
Research Interests:
Artificial
Intelligence, Communication, Languages
and Linguistics, Natural
Language Processing et Culture and
Cognition
Monday, April 22, 2019
Cromagnon was a fluent speaker
Cromagnon’s Language
Abstract:
Dr. Jacques COULARDEAU & Ivan EVE
CRO-MAGNON’S LANGUAGE
EMERGENCE OF HOMO SAPIENS – INVENTION OF ARTICULATED LANGUAGE – PHYLOGENY OF LANGUAGE – MIGRATIONS OUT OF AFRICA – THREE ARTICULATIONS – THREE LINGUISTIC FAMILIES
Editions La Dondaine – 2017
Cro-Magnon's Language: Emergence of Homo Sapiens, Invention of Articulated Language, Migrations out of Africa – Kindle Edition
Dr. Jacques COULARDEAU & Ivan EVE
ASIN: B074DXJM5C US$ 8.00 € 6.81
SPECIAL FILE
This file gives you the introduction of what is the first part of a long research that has been going on for most of my life and has been progressively intensified since 2005 when I moved to Paris Sorbonne, and other Paris private or public universities.
This first part counts seven chapters.
CHAPTER ONE: The Triple Articulation of Language
CHAPTER TWO: Phylogeny and Migrations
CHAPTER THREE: Agglutinative Language
CHAPTER FOUR: Theo Vennemann
CHAPTER FIVE: The Migrations
CHAPTER SIX: Darwinization in Question
CHAPTER SEVEN: Where Gustave Guillaume Meets with Sally McBrearty
This long introduction gives all the concepts and procedures used in the research. I submit this file for discussion before the publication of the whole work (the first part only though, seven chapters). The second part is ready to go through its final proofreading and assessment, which will take at least six months of hard work.
I hope you enjoy reading these pages and I hope you take part in the discussion. I will integrate, in a way or another, all remarks or contributions in the final published work. At the present moment the manuscript counts 372 pages with 347 pages of text and 23 pages of notes (514 notes so far), and 228,379 words at (the) last count.
I have added some pictures in this introduction to make it easier to read. These pictures are all rock face paintings dated, most of them, from before the Ice Age, from all over the world. The oldest are from Indonesia and those from Baja California are undated due so far to the fact that the colors used by the people who painted these rocks do not contain any charcoal or carbon. More advanced dating procedures have not yet been used. The meaning is clear: no matter where these Homo Sapiens migrated they took along with them one or several languages, first and some other capabilities, abilities, and competencies that made them do very similar things in very different conditions. Homo Sapiens has always been a communicational being with articulated languages and appetency for spiritual and artistic endeavors.
I consider that was unique with Homo Sapiens though some other Hominins had varying degrees of such tools and potentials, but apparently none equaled Homo Sapiens’ survival capability.
CRO-MAGNON’S LANGUAGE
EMERGENCE OF HOMO SAPIENS – INVENTION OF ARTICULATED LANGUAGE – PHYLOGENY OF LANGUAGE – MIGRATIONS OUT OF AFRICA – THREE ARTICULATIONS – THREE LINGUISTIC FAMILIES
Editions La Dondaine – 2017
Cro-Magnon's Language: Emergence of Homo Sapiens, Invention of Articulated Language, Migrations out of Africa – Kindle Edition
Dr. Jacques COULARDEAU & Ivan EVE
ASIN: B074DXJM5C US$ 8.00 € 6.81
SPECIAL FILE
This file gives you the introduction of what is the first part of a long research that has been going on for most of my life and has been progressively intensified since 2005 when I moved to Paris Sorbonne, and other Paris private or public universities.
This first part counts seven chapters.
CHAPTER ONE: The Triple Articulation of Language
CHAPTER TWO: Phylogeny and Migrations
CHAPTER THREE: Agglutinative Language
CHAPTER FOUR: Theo Vennemann
CHAPTER FIVE: The Migrations
CHAPTER SIX: Darwinization in Question
CHAPTER SEVEN: Where Gustave Guillaume Meets with Sally McBrearty
This long introduction gives all the concepts and procedures used in the research. I submit this file for discussion before the publication of the whole work (the first part only though, seven chapters). The second part is ready to go through its final proofreading and assessment, which will take at least six months of hard work.
I hope you enjoy reading these pages and I hope you take part in the discussion. I will integrate, in a way or another, all remarks or contributions in the final published work. At the present moment the manuscript counts 372 pages with 347 pages of text and 23 pages of notes (514 notes so far), and 228,379 words at (the) last count.
I have added some pictures in this introduction to make it easier to read. These pictures are all rock face paintings dated, most of them, from before the Ice Age, from all over the world. The oldest are from Indonesia and those from Baja California are undated due so far to the fact that the colors used by the people who painted these rocks do not contain any charcoal or carbon. More advanced dating procedures have not yet been used. The meaning is clear: no matter where these Homo Sapiens migrated they took along with them one or several languages, first and some other capabilities, abilities, and competencies that made them do very similar things in very different conditions. Homo Sapiens has always been a communicational being with articulated languages and appetency for spiritual and artistic endeavors.
I consider that was unique with Homo Sapiens though some other Hominins had varying degrees of such tools and potentials, but apparently none equaled Homo Sapiens’ survival capability.
Dr. Jacques COULARDEAU
Olliergues October 9, 2017
(Ivan Eve just back from a journey around the world with his love partner)
(Ivan Eve just back from a journey around the world with his love partner)
Research Interests:
Anthropology, Languages and Linguistics, Origin of Language, Phylogeny, and Archeology
Wednesday, April 17, 2019
Notre Dame de Paris is now bleeding
We have
been, we are, and we will be
We have been, we
still are, and we will always be passengers, guests and pilgrims in this Paris Notre
Dame.
Because it is like
this our culture has thought and devised God. He was, he is, and he will be. It
is this capture of time, both historical and existential, that is the power of man
in his mind, his mental architecture, inalienable except when the appeal of greed sometimes replaces the inspiration of a
project, of some duty well fulfilled, of giving to others because man only
exists in what each one of us in our
inner consciousness, in our souls some would say, in our mental and physical
experience is able to give to others, to all others without any anathematical rejection
of fanatical discrimination.
Our recent past
has alas been discouraging as for this human empathy, and we needed such a
cultural, religious and patrimonial catastrophe of such amplitude to bring people
back together, in unity and much-needed humility.
The reconstruction
will cost at least 5 or 6 billion euros and what was burnt or destroyed is both
irreplaceable and invaluable. And this cost will be the gift of the whole world
to humanity, to human-ness, what this same world would give to rebuilt such
strong symbols as Trafalgar Square, the Golden Gate Bridge, the Brandenburg
Tor, the Kremlin, the Great Wall of China, the harbor of Beira, the city of Machu
Picchu, or the city of Angkor.
But we must not forget
that above all happiness only exists due to the passion that makes us capable
of crossing the ordeals that alone can
make us be humans worthy of their human-ness, worthy of God some would say,
precisely worthy of this happiness.
It is so easy to
forget that bridges do not erase the rivers they cross over and that it’s when
they crumble down that we have to re-learn how to swim, how to paddle or even
to trudge, wade and splosh, at times dishonestly.
Let’s live today
and tomorrow up to our dramas, our mishaps because it is in their melting pot
that we will feed and raise our joys just like as many phoenixes being reborn
from the ashes of our apocalypse
Nous avons été, nous sommes et nous serons
Nous avons été, nous sommes toujours et nous serons à jamais les passagers,
les hôtes et les pèlerins de Notre Dame de Paris.
Car c'est ainsi que notre culture a pensé et inventé Dieu. Il fut, il est,
il sera. C'est cette saisie du temps, historique ou existentiel, qui est la
force de l'homme dans son esprit et son architecture mentale inaliénable, sauf
hélas à l'appât du gain qui parfois remplace le goût du projet, du devoir
accompli, du don à d'autres car l'homme n'est que dans ce que chacun de nous en
son for intérieur, en son âme diront certains, en son vécu mental et physique
est capable de donner aux autres, à tous les autres sans rejet et sans anathème.
La période récente est hélas décourageante dans ce sens et il faut une
catastrophe culturelle, cultuelle et patrimoniale de cette ampleur pour ramener
les gens à l'unité, à la raison, à l'humilité nécessaire.
La reconstruction coûtera au bas mot 5 ou 6 milliards d'euros, et l'irremplaçable
brûlé ou détruit n'a bien sûr pas de prix. Et ce prix sera le don du monde à l’humanité,
à l’humain, comme ce même monde donnerait demain pour reconstruire des symboles
aussi forts que Trafalgar Square, le Golden Gate Bridge, la Brandenburg Tor, le
Kremlin, la Muraille de Chine, le Port de Beira, la ville de Machu Picchu, ou
la ville d’Angkor.
Mais n'oublions surtout pas que le bonheur n'existe que par la passion avec
laquelle nous sommes capables de traverser les épreuves qui seules font de nous
des hommes dignes de ce nom, des hommes dignes de Dieu pour certains, des
hommes dignes justement de ce bonheur.
Il est si facile d'oublier que les ponts ne suppriment pas les rivières
qu'ils enjambent et que c'est quand ils s’écroulent qu'alors nous devons
réapprendre à nager, à caboter et même barboter, hélas avec tous les sens de ce
dernier mot.
Vivons donc aujourd'hui et demain à la hauteur de nos drames, de nos
malheurs car c'est dans ce creuset que nous nourrirons et élèverons nos joies
comme autant de phénix renaissant des cendres de la vie.
Sunday, April 14, 2019
Amy Webb is slightly off the grid.
IS THE US THE NEW PROMISED
LAND?
Amy
Webb reduces the world to the US and China. Comfortable laziness. She reduces
the AI revolution to nine companies, six American and three Chinese. Sloppy
easiness. She reduces the future to three scenarios, all of them dystopic. She
fell into the big pot of the three weird sisters. She reduces the way to
salvation to fifteen MUSTs and MUSTN'Ts declared universal on the basis of
nothing at all but in perfect agreement with the White American Anglo-Saxon
Protestant ideal of nationalist populists there, I mean trumpists playing the
trumpian trumpet of "make America great again." It is too late, baby,
too late and totally outdated. American imperialism is like sour milk: it is
B.S. worth being thrown onto the manure pile behind the house. It was aborted
once and for all in Saigon in 1975. Remember?
Publication Date: 1979
Publication Name: Medium.com
Artificial
Intelligence * Globalization * China * American
imperialism * Americanization * NON-diversity
Wednesday, April 10, 2019
Nothing more fascinating than screens
SCREEN OBSESSION
AND MENTAL ENTANGLEMENT REVISITED
Abstract:
CINEMA AND TELEVISION RECLUSION
Published Research (March 2013 to today) and
[Reviews (02/02/2016 to 10/24/2018) see annex at the end]
Dr. Jacques COULARDEAU
Cinema and television are obsessional for me and there is no way to get out of this Post Screen Obsessional Stress Syndrome. I enjoy it so much I could not survive without my dose every day.
I found the best description of this obsession in Marshall McLuhan and his extensions of man’s psyche, nervous system, mind and body. The cinema has become a way to discover the world the way it is where I cannot go and in its past reality and its future dystopia or utopia.
It provides me with a main way to think and meditate in an all-sensorial approach of life. I mean all my senses are at work in such an experience, not the way McLuhan says about television (all your senses have to agree and feel comfortable with what they see at once from the very start) but in my own way: all senses are active all the time on high alert and intensively connected with my thinking virtual device, my mind and my knowledge.
It is also the way to experience very deep feelings, emotions, even passions and fears within the time frame of that experience knowing that when the watching comes to an end this intense state of excitement will reach its own closure, though I can reopen it any time by plugging myself into another film, another episode of another series.
I have here collected several chapters centering on one series or one filmmaker or any other unitary element. Some of these chapters are in fact short introductions with links to full files in the cloud. You just have to click on the links to go to the files. I have also collected more than ninety reviews of independent films or series not covered here. This set of more than ninety reviews is in free open access on Academia.edu at
Published Research (March 2013 to today) and
[Reviews (02/02/2016 to 10/24/2018) see annex at the end]
Dr. Jacques COULARDEAU
Cinema and television are obsessional for me and there is no way to get out of this Post Screen Obsessional Stress Syndrome. I enjoy it so much I could not survive without my dose every day.
I found the best description of this obsession in Marshall McLuhan and his extensions of man’s psyche, nervous system, mind and body. The cinema has become a way to discover the world the way it is where I cannot go and in its past reality and its future dystopia or utopia.
It provides me with a main way to think and meditate in an all-sensorial approach of life. I mean all my senses are at work in such an experience, not the way McLuhan says about television (all your senses have to agree and feel comfortable with what they see at once from the very start) but in my own way: all senses are active all the time on high alert and intensively connected with my thinking virtual device, my mind and my knowledge.
It is also the way to experience very deep feelings, emotions, even passions and fears within the time frame of that experience knowing that when the watching comes to an end this intense state of excitement will reach its own closure, though I can reopen it any time by plugging myself into another film, another episode of another series.
I have here collected several chapters centering on one series or one filmmaker or any other unitary element. Some of these chapters are in fact short introductions with links to full files in the cloud. You just have to click on the links to go to the files. I have also collected more than ninety reviews of independent films or series not covered here. This set of more than ninety reviews is in free open access on Academia.edu at
Tuesday, April 09, 2019
Le vrai Cyrano va-t-il revivre?
LA RÉSURRECTION
D'AGRIPPINE
Cyrano de Bergerac jusqu'à aujourd'hui n'était qu'un bouffon sentimental et provocateur au nez si long qu'il en aurait rendu Pinochio jaloux. Mais Cyrano de Bergerac était surtout un homme de lettres qui est mort jeune au 17ème siècle,; avant même le couronnement de Lopuis XIV. Il était donc l'homme de lettre de l'aube à peine naissante du Roi Soleil.
Il laissa une tragédie derrière lui qui fut magnifiquementy ignorée pendant quatre siècles. Et ne voilà-t-il pas que Daniel Mesguich, après une longue réflexion d'au moins quinze ans finit par la monter et la produire à Avignon d'abord en Juillet 2018, puis à Paris en 2019.
J'ose parler d'une résurrection car la pièce était vraiment morte, comme seuls les mécréants trop laïques savent tuer une oeuvre..
Vous trouverez ici mes critiques de la seule édition existant il y a encore un mois, écrite en Juillet 2018. Puis celle de la nouvelle édition de 2019, l'édition de la renaissance, écrite en mars 2019. Puis une critique de la pièce mise en scène par Daniel Mesguich avec Sarah Mesguich en Agrippine infernale, écrite en avril 2019. Et enfin ma note sur la master-class de Daniel Mesguich à Paris le 6 avril 2019.
Ce ne sont là que des notes qui préparent un article pour la revue Théâtres du Monde d'Avignon qui sera publié en 2020 accompagné d'un entretien avec Daniel Mesguich - qui est d'ailleurs sur le bureau du charcutier linguistique que je suis. Mais rassurez-vous c'est là une cuisine très tout à fait cachère.
Publication Date: 2019
Publication Name: Medium.com
Tuesday, April 02, 2019
Daniel Mesguich au rendes-vous de l'histoire dramatique
Théâtre Éternel Cosmique
Universel
Le
théâtre est si universel qu'il ne saurait être réduit au théâtre antique grec.
Le théâtre est si cosmique qu'il ne saurait être réduit à une Europe
christianisée depuis si peu de temps et en une seule couleur avec deux ou trois
teintes de gris. Triste. Le Théâtre est si éternel que l'on ne peut lui trouver
aucunes limites. La mise en scène a commencée bien avant les peintures
rupestres dans les grottes et cavernes du monde entier et dont ils nous reste
quelques beaux dessins en couleur datant d'il y a au moins 50 000 ans dans tous
les continents. Mais le théâtre c'est la dimension humaine parfaite d'une
vision d'avenir dans un présent oppresseur et pourtant stimulant. La mise en
scène est ce qui a donné à Homo Sapiens la force de conquérir la planète et
maitenant d'essayer de bloquer sa destruction.
Publication Date: 2019
Publication Name: Medium.com
Performing
Arts * Poetry * Theater and film * Playwrighting * Stage Director * Cosmic
Universality 
