Wednesday, June 29, 2016
All anachronistic readings are pure betrayals!
THOMAS MORE – UTOPIA – 1516 – TEXT AVAILABLE AT
http://www.gutenberg.org/files/2130/2130-h/2130-h.htm
- TRANSLATION FROM LATIN AND EDITING BY HENRY MORLEY (1822-1894) – FIRST
PUBLISHED IN 1901 – REPUBLISHED BY DIVER PUBLICATIONS, REVISED ED. EDITION –
1997 – AND CREATESPACE INDEPENDENT PUBLICHING PLATFORM
– 2015 – TRANSCRIBED FOR GUTENBERG.COM BY DAVID PRICE – 2005
THIS BOOK CANNOT BE UNDERSTOOD BUT IN
ITS PERIOD: 1516.
FIVE CENTURIES BEFORE BREXIT
THREE CENTURIES BEFORE MARX
FIFTY YEARS AFTER THE HUNDRED YEARS' WAR
JUST AFTER THE WORST 150 YEARS OF BLACK
DEATH
ALL OTHER INTERPRETATIONS ARE
ANACHRONISTIC
The first thing you have to keep
in mind is that this is a translation from Latin and the translation is
necessarily a betrayal of the original text. This is quite obvious with the
simple words “slave,” that has the standard meaning of human being owned by
someone else who exploits the former as a beast of burden or labor, and “slavery,”
that has two distinct meanings. As the Online Etymology Dictionary says for
“slavery”: “1550s, "severe toil, hard work,
drudgery;" from
slave (v.)
+
-ery;
meaning "state of servitude" is from 1570s; meaning "keeping or holding
of slaves" is from 1728;” (
http://www.etymonline.com/index.php?term=slavery&allowed_in_frame=0,
accessed June 28, 2016) the word “slavery” did not exist with the modern
meaning in English before the 1550s. Thomas More book was published in 1516 and
the book uses in Henry Morley’s translation the word “slavery” with two
meanings. The most frequent one has little to do with the modern meaning, and
the second but by far less frequent one carries the modern meaning. The modern
meaning is “the state of dependence of a slave.” The word that does not carry
the modern meaning is often in the plural which indicates that difference in
meaning.
What is
the most frequent meaning of this “slavery,” especially when you find words
like “inclislaverys” or “divislavery (so much observed among other slaverys)”
or “imagislavery”?
The first instance of this word
with its special meaning is in the plural and is also the first instance of the
word in the text.
“’And on his own too,’ replied he
[Peter Giles, Thomas More’s friend when introducing the man from Utopia, Raphael
Hythloday], ‘if you knew the man, for there is none alive that can give so
copious an account of unknown slaverys
and countries as he can do, which I know you very much desire.’”
The last instance of this word is
going the same way in the singular this time but with an indefinite article
showing this word is countable and not abstract. It cannot be “slavery” in the
modern meaning that is of course always abstract and used with no article.
“. . . many things occurred to
me, both concerning the manners and laws of that people, that seemed very
absurd, as well in their way of making war, as in their notions of religion and
divine matters--together with several other particulars, but chiefly what
seemed the foundation of all the rest, their living in common, without the use
of money, by which all nobility, magnificence, splendor, and majesty, which,
according to the common opinion, are the true ornaments of a slavery, would be quite taken away. . .”
This word “slavery” here can only
mean “society” and in the context of this excerpt the society that is meant is
that of the dominant noble class of
England
or
Europe at the beginning of the 16
th
century. It carries though another element. The suffix –ery is a common suffix
in the Middle Ages coming from French and means only the place where someone
works, some activity is performed or something is produced, (information from
http://www.dictionary.com/cite.html?qh=-ery&ia=luna,
except when otherwise indicated) like in
“butchery” from
Middle English
(denoting a slaughterhouse or meat market) and from Old French boucherie, from bouchier ‘butcher’; or “brewery”
that is in fact a late reconstruction probably on the model of the Dutch word “brouwerij”
replacing the original Middle English word, perhaps from circa 1200
as a surname element, from brew (verb) + -ery, Old English word “breawern” in
this sense (from aern "house"), and “brewhouse,” the
more common word up to the 18
th century,
http://www.etymonline.com/index.php?allowed_in_frame=0&search=brewery);
or “cutlery” that means 1. cutting instruments collectively, especially knives for cutting food;
2. utensils, as knives, forks, and spoons, used at the table for serving and
eating food; 3. the trade or business of a cutler;
from 1300-50 Middle English cutellerie from Middle French coutelerie.
That leads us to understanding
“inclislavery” as the social situation of someone who is practicing the
profession he is “naturally inclined” to practice, “divislavery” as the status
of someone who is practicing a divine activity in this society (limited in
number and highly selected), and “imagislavery” as some society imagined by
some member of this Utopia island. These three compounds clearly indicate that
slavery has nothing to do with the modern meaning.
But then what is the meaning of
the root of this “slavery”? The reference is obviously not “slave” as a human
being owned by another and exploited as a simple beast of burden or labor. We
are in fact tricked here by the translation. What was the Latin word used by
Thomas More and what was the meaning of this Latin word? But the meaning of
this word in Thomas More’s text is quite clear as I have explained.
Once this first element is
cleared we can move to the main ideas of the text. I do not intend a full
study, just a few remarks.
This Utopian society is highly
hierarchical with three strata in each town, knowing that this society is
urban, meaning the population is administratively gathered in cities, and yet
agricultural since the main activity is agriculture: all city residents have to
go to the agricultural fields for various periods of time that can be several
years or may only be for the harvesting season, because agriculture is seen as
the main training and educating activity. This society is founded on work that
has to occupy six hours a day, and cover every single day. The three hierarchical
levels are as follows:
"Thirty families choose
every year a magistrate, who was anciently called the Syphogrant, but is now called the Philarch; and over every ten Syphogrants, with the families subject
to them, there is another magistrate, who was anciently called the Tranibore, but of late the Archphilarch. All the Syphogrants, who are in number two
hundred, choose the Prince out of a
list of four who are named by the people of the four divisions of the city; but
they take an oath, before they proceed to an election, that they will choose
him whom they think most fit for the office: they give him their voices
secretly, so that it is not known for whom every one gives his suffrage. The Prince is for life, unless he is removed
upon suspicion of some design to enslave the people. The Tranibors are new chosen every year, but
yet they are, for the most part, continued; all their other magistrates are
only annual.”
This hierarchy is based on free
secret ballots for the Prince but also for the lower echelons.
The very first element is the
fact that everyone is supposed to work. There is no normal exemption, even
those who are by law exempted, only temporarily indeed since they are the
annually elected officers (who can be reelected) who go back to work at the end
of their terms and even work during their terms outside the performing of their
duties. This society of compulsory productive work is cut in daily time slices
of which one is work for six hours (twice three hours a day, three in the
morning before dinner and three in the afternoon after dinner), sleep for eight
hours (from 8 pm to 4 am) and then various activities that have to be
productive, particularly productive of knowledge by studying, following their
inclinations (inclislaveries).
“The chief, and almost the only,
business of the Syphogrants is to take care that no man may live idle, but that
every one may follow his trade diligently; yet they do not wear themselves out
with perpetual toil from morning to night, as if they were beasts of burden,
which as it is indeed a heavy slavery, so it is everywhere the common course of
life amongst all mechanics except the Utopians: but they, dividing the day and
night into twenty-four hours, appoint six of these for work, three of which are
before dinner and three after; they then sup, and at eight o'clock, counting
from noon, go to bed and sleep eight hours: the rest of their time, besides
that taken up in work, eating, and sleeping, is left to every man's discretion;
yet they are not to abuse that interval to luxury and idleness, but must employ
it in some proper exercise, according to their various inclislaverys, which is,
for the most part, reading. […] Even the Syphogrants, though excused by the
law, yet do not excuse themselves, but work, that by their examples they may
excite the industry of the rest of the people; the like exemption is allowed to
those who, being recommended to the people by the priests, are, by the secret
suffrages of the Syphogrants, privileged from labor, that they may apply
themselves wholly to study; and if any of these fall short of those hopes that
they seemed at first to give, they are obliged to return to work; and sometimes
a mechanic that so employs his leisure hours as to make a considerable
advancement in learning is eased from being a tradesman and ranked among their
learned men. Out of these they choose
their ambassadors, their priests, their Tranibors, and the Prince himself,
anciently called their Barzenes, but is called of late their Ademus.”
Thomas More comes to the
conclusion that this compulsory work organization with only six hours of
productive work is not in any danger of running out of labor since everyone is
supposed to perform these six hours. Note there is no mention of the young and
their education. Do they work too? The answer is probably in the situation at
the end of the 15th century. Children work like any other members of
society as soon as they can stand on their feet and use their hands (around
five or six). If we stick to this period to interpret the text we have here the
pure Lutheran description of society in which work is the supreme value and
working the supreme activity. All ranting or raving about what will come later
(socialism or communism) is absurd and anachronistic since it projects onto an
old text concepts that only developed several centuries later, not to mention
the Soviet Revolution that could have been inspired by Thomas More’s Utopia, why not, but that has no
meaningful value on the analysis of Thomas More’s text.
"And thus from the great
numbers among them that are neither suffered to be idle nor to be employed in
any fruitless labor, you may easily make the estimate how much may be done in
those few hours in which they are obliged to labor.”
These work ethics and workaholic
social vision is, as I have said, vastly connected to the Lutheran and
Calvinist, Protestant in one word, approach of life, by the way dictated at the
time by the Black Death that reduced the population of Europe by at least 50%,
not to speak of constant wars, the most famous of which being the Hundred
Years’ War. This conception is perfectly represented in the economical approach
of clothing that has to be lasting, functional, simple, with no wasted luxury
or sophistication (absolutely no frills) even at the level of colors that are
reduced to “natural” colors: that of wool or linen.
“As to their clothes, observe how
little work is spent in them; while they are at labor they are clothed with
leather and skins, cut carelessly about them, which will last seven years, and
when they appear in public they put on an upper garment which hides the other; and
these are all of one color, and that is the natural color of the wool. As they need less woolen cloth than is used
anywhere else, so that which they make use of is much less costly; they use
linen cloth more, but that is prepared with less labor, and they value cloth
only by the whiteness of the linen or the cleanness of the wool, without much regard
to the fineness of the thread.”
In other words, without speaking
of a direct reference to Lutheran or Calvinist Protestantism, we have here the
economical, economy-oriented and hyper-productive conception of a social
value-adding economy and political system. Is it totalitarian? Once again in
1516 this term is anachronistic. In fact this vision is dictated by the
necessity to repair the damage of the past century and a half and to lift up Europe, in fact Christianity, from the dire straits in
which history and the Black Death had set it. We seem to forget that
Christianity at that time was in a situation that could compete in poverty and
misery with some of the poorest countries today in AIDS devastated Africa,
without any help from outside, be it from the World Bank, the International
Monetary Fund or the United Nations, that did not exist – but do I have to
mention that – at the time.
The last element I want to insist
on is the fact that this society considers slavery, this time the situation in
which a human being is deprived of absolutely all human or civil rights, is
basic in its functioning. For any crime, petty or not, including “vagabonds,”
slavery is preferred to any other punishment, like the death penalty, which is
a waste of human labor. War prisoners are also reduced to being slaves. Without
entering the problem of war, vastly discussed in this pamphlet, let’s say that
war is always envisaged as an extreme but necessary method to solve problems
with neighbors, including with mercenaries (the Zapolets). The objective of war
is not to conquer slaves, but it is always ending in engulfing all prisoners
into slavery, into being slaves, meaning human beings – but are they still
human? – who have no tights whatsoever, not even to speak. The only limit I
found about this constant presence of slaves is that each family can only have
two slaves. But since a family is forty people (“no country family has fewer
than forty men and women in it, besides two slaves”), slaves represent
something like 5 per cent of this society, at least at the level of the
families. It is not specified if there are slaves owned by society as a whole
or any organization in that society (note there is no mention of such
organization that would not be based on one family but be transversal).
This element is essential because
in this vision of an ideal society, slavery is stated as a normal state limited
only in the fact the children of slaves are not born slaves. Note this idea
implies slaves are married, like anyone else: marriage at the age of 18 for
women and 22 for men is universal, meaning everyone has to be married and the
objective is procreation. This is an obvious sign of the state in which Europe is after 1450. But this approach of slavery as a
normal fate for a human being because of his “crimes” or because he is a “war
prisoner” will explain later that slavery will be seen as a normal state of
affairs in America, in Virginia first and then the thirteen colonies and then
all American territories. This will all the more be true since the “pioneer”
John Smith was a slave of the Ottoman Empire before escaping and sailing to
what was to become Virginia
in 1607. Thomas More is thus demonstrating that the concept of slavery was
deeply rooted in the English conception of human society as well as humanity if
not the human species. Note here that has nothing to do with feudalism that
stated all human beings are potential Christians and that rejected slavery when
instating the social category of serf. A serf was not a slave. He was a
Christian and a subject of the King and other Lords. He had the right to benefit
from all religious sacraments and education. He was protected by justice and
could not be sentenced to anything without a trial, even if that trial was
often based on torturing seen as a divine way to find the truth which could
only be divine in nature.
This last word brings up my last
remark. Thomas More pretends this Utopian conception of society is natural. He
states the existence of a Supreme Being in the very Catholic perspective of his
time, but this Supreme Being created Nature and man is supposed to follow
Nature. This implies this society is by essence natural since it follows the
divine conception this God represents. The strange or surprising element is
that Thomas More states tolerance among all religions of any kind has to be the
rule with no exception, and slavery for those who break this rule. This is of
course an echo of the Reformation and could probably be seen as the final stage
of the medieval debates against heresies and the practice and existence of the
Inquisition. It could also be seen as maybe a presage of what was to happen in England with
Henry VIII and his son and daughters leading to the Stuarts and the Puritan
revolution.
I said it could be seen because
this idea is anachronistic in a way. How could Thomas More envisage what was to
happen over the next century? It is true the reformation in Germany and on the
European continent was enough to make Thomas More dream of a Britain, or
England, that could be saved from these tribulations by the practice of
tolerance in their island, since Britain, like Utopia, is an island. Thomas
More is a Brexit supporter exactly five century, year for year, before the
famous referendum. And in his text the island was devised as such but the
digging of a channel cutting it from the continent, the Channel in a way.
Dr Jacques COULARDEAU
# posted by Dr. Jacques COULARDEAU @ 3:52 AM
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Monday, June 27, 2016
Jacques Coulardeau at Academia.edu (20)
Jacques Coulardeau
at Academia.edu (20)
MARSHALL McLUHAN
UNDERSTANDINGMEDIA,
THE EXTENSIONS OF MAN
ROUTLEDGE, LONDON – 1964
Monday October 14, 2013 – 9,400 words, 18
pages
Dr Jacques COULARDEAU
INITIAL STUDY / STARTING POINT REVIEW(S)
MARSHALL McLUHAN, A PROPHET
THE APOCALYPSE OR
SPIRITUAL SALVATION?
FOR A GLOBAL APPROACH OF MENTAL POWER
AND CONCEPTUALIZATION
Wednesday January
21, 2015 – 2,700 words, 5 pages
Dr Jacques COULARDEAU
POST SCRIPTUM
AVENTURE
À SUIVRE / AN ADVENTURE TO FOLLOW
RESEARCH
UNDER CONSTRUCTION WITH IVAN EVE
This is the first leg of a longer study that is in the
process of being written. After the review and its illustration I added the
2006 review I posted on Amazon.co.uk, and its
comments, for the sake of perspective.
This review is the prolongation of a long study that
dealt with, among other topics but essentially,
Ray Kurzweil’s “popular-science”-fiction wrapped up as MIT expertise. Marshall
McLuhan . . .
[Herbert
Marshall McLuhan (1911–1980), a Canadian philosopher in communication theory
and he became one of the cornerstones media theory with practical applications
in the advertising and television industries. McLuhan coined phrases like “the
medium is the message” and the “global village” and for his prediction of the
Internet medium he could not know in his life time though the invention of the
transportation of data from a computer to another via a telephone line was
invented in the Fall 1969 between Stanford, California’s military laboratory
and Oakland, California’s US Armed Forces Headquarters for the Pacific (and at
the time the Vietnam war). I would refer you
to the Official Site of the Estate of Marshall McLuhan at http://www.marshallmcluhan.com/ if you want to know more about him. Accessed October 8, 2013.]
… is essential here because he deals with the media
and not the machines, or rather with all inventions, mechanical or not,
starting with oral language, considered as media all of them extending man’s
body, body parts, central nervous system and even “consciousness” as he calls
the mind. We will concentrate on his 1964 book Understanding Media, The extensions of Man.
We have to get some detail on his theory and, to remain
in our own logic, consider it in a phylogenic perspective though Marshall McLuhan
does not envisage any other human phase before the invention of writing systems
(even his short chapter on “The Spoken Word” is entirely oriented towards
writing systems).
Hence he starts considering humanity around 5,000 years
ago in a sequential presentation of various inventions one after another in
chronological order. What’s more he centers his interest on what he calls the
“electric age” that starts with the “discovery” of electricity and the
invention of means to produce, store and transport it.
His electric age is based on the stage of universal
(though even today it is still not fully achieved)
networked distribution (the electrical grid) of this electricity characterized
as continuous and instantaneous, meaning we
can use it at any time and in any place we want at the commanding tip of one
finger pressing a button on or off.
In other words his discourse is centered on the last one
hundred years when he wrote this essential book in the 1960s and today for us
on the last 150 years.
I will consider his approach in both phylogenic and psychogenetic
perspective.
The first thing we have to do to penetrate his meaning is
to list the various inventions he considers in the book and try to find out
what extensions of man’s body or body parts he refers them to. We will present
this list in the form of a table. He considers 26 inventions in 26 separate
chapters. We have to keep in mind this conclusion of chapter 21:
“The owners of media always endeavor to give the public
what it wants, because they sense that their power is in the medium and not in the message or the program” [Marshall McLuhan,
Understanding Media, The extensions of Man , Routledge, London, 1964, p. 216)
# posted by Dr. Jacques COULARDEAU @ 2:06 PM
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Sunday, June 26, 2016
Jacques Coulardeau et al at KR-Homestudio (18)
Synchrosome II-Ilya and Vanya
Kévin
Thorez, compositeur et interprète
Jacques
Coulardeau, auteur et interprète
NadXka,
interprète.
A small article essentially centered on the technical side
of things, the machines used to produce the CDs. Do not expect anything like a
real critique, or review, or even artistic presentation of the music itself.
But that is always funny to have your name page 16 of a national magazine you
will not be able to read online, only on paper, issue n° 304, February-March
2015.
http://www.kr-homestudio.fr/
*****
Notre musique vise au dépaysement sonore,
à la recherche d’un univers où instruments, langue et chant se conjuguent en un
tout surprenant et même parfois bouleversant.. . .
Ces
thèmes sont d’autant plus développés qu’un récit ou dialogue entre Ilya et
Vanya prend corps liant les chansons et révélant deux êtres se torturant par et
pour leur propre amour dans l’album Synchrosome II, Ilya and Vanya.
Les
visuels sont des peintures de ma cousine, Caroline Guille, tableaux visibles
pour certains, sur son site : caro-paint.com .
*****
This story has to be dedicated to time and life. It is the result of
meeting many people in the avenues of big Paris,
gay as is well-known, and gay it is, indeed.
The songs were written to the music Kévin Thorez had previously composed.
All the songs are from 2011-2012.
The dramatic story of Ilya and Vanya was written in 2013, integrating the
lyrics of the songs as part of the story. It is a full homage to a young man
who does not like his name to be quoted or uttered. Anonymous he will stay,
just the way he likes it, and he likes many things, and people.
AMAZON.fr MP3 STORE
1:19:14 – Langue : anglais/English – Indie & Alternative –
Explicit Lyrics - ASIN: B00J0B57BC - EUR 9,99 TTC
# posted by Dr. Jacques COULARDEAU @ 1:12 PM
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Saturday, June 25, 2016
Betrayal as love, Vanity as hatred
KEDDIE HUGHES – AN OBSTINATE VANITY – KINDLE EDITION – 2016
In the light of Brexit this book is
a Revelation that is at least as powerful as John’s.
We are in Scotland, in fact in Glasgow
and on the coast of what is the Atlantic Ocean,
in a place called here Skye. We are dealing with two worlds that come together
and apart in the most vicious and endearing ways. In Skye a father, Dougie, and
his motherless son, Benjy, are trying to make a living, the father with an
oyster farm and business and the son with an algae farm and business. They
forgot that the water is not always pure and clean. In Glasgow
a certain Beth is a successful business executive who accepts a public job with
the “Agency” that is supposed to stimulate the development of the region, of Scotland. She
forgot that any public agency is not a business and their only objective is to
make money that is embezzled into private pockets without making any wave at
all. That’s the very antagonistic reverse of any business procedure.
Then you add to that a plotter
who comes from Paris and Europe to prevent some
international research and development private concern to come up and open up
in Glasgow – as opposed to the alternative in Mexico
– though they are practicing animal trials for all kinds of chemicals,
particularly in the cosmetic line.
Beth will lose the battle and she
will be laminated to being slightly less rich while her brother will go to
prison for embezzling millions from his private employer. Beth will get her
vengeance with some unethical crimes committed by her boss who fires her –
under the name of resignation of course – when things get a little bit too hot.
The plotter had managed to
infiltrate the private life of Beth and at the same time to fall for Benjy and
make Benjy fall for her. Add to that the fact that Beth was the enamored
fiancée of Dougie in their college times and you will have the both fertile and
sterile sentimental intimacy of the plot.
The salvation of the poor
characters will come from three principles:
1-
Go back to your own resources and energies and do
not count on foreigners, meaning people who are not Scottish;
2-
Let Benjy, the Scotsman, go build his future in
the non-European-Union Norway
and come back later to Scotland
to eventually redevelop a new branch;
3-
Concentrate on the new generation of Scots and help
them start up businesses and initiatives and keep your fingers and toes crossed
for success.
This is the typical Brexit
scenario with some modifications. Let Scotland
get out of the United
Kingdom and cut off the two heavy metal balls
attached to their legs. Let Scotland
negotiate and work in full cooperation and not submission with another European
country not tied up in and to the EU. Count only on your energy and the energy
of the younger generation and you might end up starting up a real movement to
the future, your future, your salvation and regeneration.
Interesting indeed though the
sentimental betrayals of women by men seems to be the most popular action in
this emotional world, and I should add the political and economic betrayal of
women by women. And yet the regeneration of men can only come from women. Well
no one can have everything they may want. Wanting is free but granting – or being
granted – is expensive. An interesting novel if you do not mind rain, salty
oceans and cold weather apart from half a dozen weeks in the summer.
Dr Jacques COULARDEAU
# posted by Dr. Jacques COULARDEAU @ 1:06 AM
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Friday, June 24, 2016
Good Morning Brexit!
Au collectif En
Marche d’Emmanuel Macron
Chers amis d'En Marche,
Je ne crois pas que regretter servira à rien. Voici deux
opinions émises par moi. La première dans le cadre de l'Assemblée Générale du
Syndicat National des Auteurs et des Compositeurs la semaine dernière :
« Cher Jean Marie [Moreau],
J'ai bien entendu ton argument sur l'interdiction de
protection d'un territoire ou des productions d'un territoire national dans ce
cas de la part de l'Europe au nom de l'égalité de concurrence, liberté de
circulation, etc. On ne peut avoir que des quotas linguistiques. Notons que ces
quotas nient ces mêmes égalité de concurrence et liberté de circulation.
D'abord j'aimerais qu'on me donne des chiffres pays par
pays sur la part de la production dre leurs artistes nationaux en musique,
toutes les musiques, et leur diffusion sur les radios et les télévisions et
comparer ceux qui ont des quotas et ceux qui n'en ont pas. Et ainsi voir si
l'absence de quotas pénalise les artistes dans certains pays à la fois sur la
base de la langue nationale et des langues courantes dans le pays, et sur la
base des artistes nationaux. Je suis tout à fait persuadé que l'Italie n'a pas
de problèmes d'après ce que j'ai entendu, pas plus que les Allemands ou les
Autrichiens. J'ai remarqué une forte présence du Suédois en Suède, mais en
Scandinavie il faudrait prendre les trois langues scandinaves comme un tout.
etc. Je ne pense pas que les quotas aient aidé à sauver quoi que ce soit, et je
ne veux pas parler de qualité. Mais pourquoi donc sommes nous si pâles à
l'Eurovision ou autres compétitions européennes sur bases nationales d'ailleurs.
Mais cette pratique des quotas sur la seule langue est
une pratique de négation des identités nationales des artistes et des publics. Les
Flamands flamingants en France ont tendance à se retrouver à l'extrême droite. Je
les ai rencontrés à Radio Quinquin il y a longtemps et ils sont devenus une
base du FN. L'absence de reconnaissance des diverses formes de la langue
occitane comme pour la langue galloise, la langue écossaise et l'irlandais dans
les iles britanniques, et quelques autres, et même chose pour le Breton en
Bretagne, les dialectes germaniques en Alsace Lorraine, les langues spécifiques
du Dauphiné, de la Savoir et du pays Nissard sans parler de la Corse, nie non
seulement la langue, mais plus encore la possible intégration dans la nation
française et cela donne des mouvances vers les indépendantistes ici et là et
surtout, comme dans mon Auvergne, une fporte mouvance vers le FN. Frustrer la
langue, ne pas intégrer la langue dans l'identité nationale, et ne parlons pas
des langues de l'immigration, donne du pain à manger et du vin à boire aux
extrémistes de tout crin, que ce soit de gauche (les campagnes VIVRE AU PAYS du
PC il y a longtemps après 1968) ou de droite.
L'homogénéisation des nations au nom de l'Europe ne peut
mener qu'à des drames comme le Brexit, UN MORT, au moins, spectaculaire. J'ai
voté contre la constitution de Giscard en 2005, avant de partir au Sri Lanka,
car elle définissait l'Europe comme une économie de marché capitaliste (à la
manière de l'URSS, économie socialiste) et parce qu'elle niait ouvertement
toute référence aux nations. J'ai vu au Sri Lanka le danger d'une telle
négation avec les Tigres Tamouls et trente ans de guerre civile terminée dans
le sang et maintenant s'effilochant dans une réconciliation bien difficile à
venir. Il ne s'agissait pas de la langue ici car les deux langues étaient
reconnues et largement présentes dans de très nombreux sites et dans le système
scolaire, mais de la conscience nationale, culturelle, historique, voire
anthropologique des Tamouls face aux Sinhalas, dont la langue n'est qu'un
élément.
Finalement quand nous Européens prétendons exiger de la
Chine qu'elle donne l'autonomie au Tibet, au pays ouighour, à la Mongolie et
qui sait quoi encore non sur la base d'une langue, mais sur la base d'un
territoire et d'une religion, on est bien mal placé pour venir refuser la
reconnaissance du fait national en Europe.
Aux USA la bataille juridique sur le mariage pour couples
de même sexe, toutes orientations sexuelles concernées, (soit dit en passant
pas le mariage pour tous car le mariage n'est pas une obligation mais un droit
et un choix, un droit pour tous mais pas un choix pour tous) s'est réglé sur
l'existence des territoires appelés états. Certains états niaient le mariage à
des couples inter-états auxquels seule la loi fédérale peut s'appliquer et donc
le célèbre amendement 14 sur l'égalité face aux institutions fédérales et
l'égale protection de chacun de la part de ces institutions.
Voilà ma position.
C'est le refus de prendre en compte les entités
nationales par l'Europe qui provoque le Grexit, le Brexit, le Frexit, le résultat
électoral en Autriche: un presqu'inconnu inexpérimenté battant de justesse
l'extrême droite, Ne parlons pas de la Catalogne, de l'Espagne, du Portugal et
il y aura bientôt l'Ecosse si le Brexit passe. L'Europe ne peut être qu'une
fédération de nations sinon elle explosera et les quotas fondés sur la seule
langue française sont une telle absurdité, surtout que j'ai entendu que l'Arabe
serait concerné, alors que la majorité (statistique interdite en France) des
immigrants Marocains ou Algériens sont de langue Kabyle ou Berbère, sans parler
des Turcs (langue agglutinante) dont la majorité en France sont des Kurdes
(langue indo-européenne). Il y a là le ferment d'une frustration, d'un rejet,
d'une révolte, d'une insatisfaction, d'une castration comme dirait Lacan ou
Freud. On se prépare des lendemains qui explosent. Voire les scènes de guerre
urbaine du Boulevard Montparnasse de mardi après-midi dernier avec les Zauzaus
et les Zinzins (les autonomes te les indépendants) qui avaient déjà sévi en
2006.
D'ailleurs Brel, Stroemae et quelques autres n'ont pas eu
et n'ont toujours pas de difficultés à exister même aux USA où Stromae a fait
une tournée en français alors qu'il parle anglais mais il n'a pas mis ses
chansons en anglais, même si pourtant Brel a du passer du Flamand de sa
jeunesse au français belge de son âge plus avancé.
Provocation à part il y a une nécessaire réflexion à
entreprendre rapidement.
Bonne journée
Jacques
Take your country back from those who seek to destroy it
The English air
is as foul as it has been at any point since my childhood. It is as if the
sewers have burst. The Leave campaign has captured the worst of England and channelled it into a know-nothing
movement of loud mouths and closed minds. It is easy to mock, but essential to
fight, because the new right could win a victory that may never be reversed. .
. .
THE GUARDIAN, Sunday 19 June 2016 00.03 BST
Et la seconde juste aujourd’hui après une leçon par
téléphone avec un étudiant chercheur dans une startup française:
BUT that is not
what is important here. We are dealing with reality, immediate reality? No one
can predict what is going to happen. At best we can prepare ourselves for a
couple or a triple of solutions we can envisage. And then wait for what is
going to come out of the magician's hat. A rabbit, or a dove, or a scarf, or
even something else.
You can envisage
Brexit from the UK's
point of view: then the questions are who is going to be the leader of the
conservative party in Parliament who will become the Prime Minister? Then what
will happen if no one is accepted or chosen as the leader of the Conservative
Party? Normally general elections, officially called by the Queen. Then what?
On another side what is the game of Scotland going to be who wants to
be independent and remain in the EU though their head of State is Elisabeth I,
Queen of Scotland? Last question: what will happen in Northern Ireland that wants to remain in the EU,
along with the Irish
Republic though the
majority of the people is protestant?
You can envisage
Brexit from the European point of view. Is it going to be business as usual?
Are they going to understand there is a real danger as long as they negate the
national entities Europe is composed of? Are
they going to grasp the same problem is present and simmering in at least
eleven European countries? And what is going to be the position in each country
about a referendum about Europe? The new deal
in Europe? Or the same old deal that we all
know and has failed in the United
Kingdom? Are we going to accept Scotland as a
member of the EU? On what legal ground?
You can envisage
Brexit from the West's point of view. What about the link between northern America and Europe?
Is Britain
going to become an intermediary, a go-between, a necessary passage between the
two continents? Is Britain
going to become a privileged ally of the USA as it used to be in the 50s and
60s? And what is going to happen to NATO that is based on the unification of Europe? How can Europe accept Ukraine
if the United Kingdom
goes out? What about the role of the IMF that traditional based on a united
Europe if Europe is no longer united? What
about Turkey
who is a member of Nato and not of the EU?
We can finally
envisage Brexit from the Rest's point of view. What are the emerging countries
doing in our back while the Pound is diving under, while western stock
exchanges are sinking, while the western economy is going to get through
difficult moments, while the restructuring that is going to follow is going to
be enormous and while the west is going to waste a tremendous amount of time,
energy, money and even more to face and sidetrack the populists, if not the
nationalists or even the isolationists? What is China
doing in Tashkent
right now at the summit of the Shanghai Cooperation Organization, probably the
most important and influential alliance outside the EU and NATO? TPP is a baby
when compared with that one. and the negotiation between Europe and the USA is down the
chute or in jeopardy.
That's how I
would look at the problem today and I would do some research in all directions.
What I have heard is not encouraging: in France there might be some new
ideas coming from the right, though it is still fresh to know. The left is lost
in some innocuous bla bla without any black sheep of course (Hollande), or a
strong anti-capitalistic European rejection from the extreme left that flatters
the position of the extreme right. Where is the new realistic discourse going
to come from, that new discourse that is going to reinstate the concept of
nation in Europe, Europe a federation of
independent nations and not a homogenized alliance of states? Who will have the
charisma of a man like de Gaulle? Or as for that Adenauer
You see what I
mean by taking a crash course at Science Po, your next door neighbor? And of
course we have to consider the various levels: economic, cultural, linguistic,
political, ethnic, religious, and a few more.
Good job anyway. »
Ce serait une catastrophe d'en rester à des regrets ou
des pleurs qui seraient de crocodile: au moins les 66% de lecteurs qui
approuvent le départ du Royaume Uni de l'Europe dans le Figaro ne cachent pas
leur satisfaction.
Jusqu'à présent je n'ai entendu que Juppé qui aurait
légèrement changé sa position sur la possibilité d'un référendum sur un nouveau
deal européen.
J'espère simplement que la raison des nations entendra la
raison tout court et que la raison des états laissera la place à ces nations.
Bonne soirée
Jacques
# posted by Dr. Jacques COULARDEAU @ 2:43 PM
0 comments
Sunday, June 19, 2016
Jacques Coulardeau at Academia.edu (57)
STEPHEN KING
THE BILL HODGES TRILOGY
1- MR. MERCEDES
2- FINDERS KEEPERS
3- END OF WATCH
SERIAL KILLER, PSYCHOPATH AND
TERRORIST
I dedicate this “review” to
my own son, Annunzio COULARDEAU,
and to those who certainly
are my fellow travelers,
Ivan EVE and Serban V.C.
ENACHE
At the end of his life or at the beginning of
a new career, a third career of sorts, Stephen King is courting and wooing new
genres intensely. Not new genres that did not exist before him, but new genres
for him, genres he had never or very rarely dealt with before in his first and
second career. And it is clearest in this trilogy.
A second element appears and it is the fact
that he works with his two sons in collaboration a lot more than he did before.
He is going through the syndrome of the father looking for his next generation
heirs. We all do that. If we have a son or a daughter we try to make that blood
heir more receptive and prepare him or her to having to carry their father’s
heritage in the world. If we do not have such a blood descendant we select a
young man or woman in our surrounding environment and make him or her the
spiritual heir or heiress we need before moving on because it is absolutely
true that we will not take anything along and I don’t think any angel would be
interested in our baggage, especially Stephen King’s.
This trilogy ends thus positively since the
evil man is destroyed but also negatively since the main character is also put
to sleep by cancer. Nothing dramatic but everything sad and bleak. This Bill
Hodges had chosen a partner, Holly Gibney, in his last Det-Ret phase of his
life, and she is the heiress who will carry his heritage. She will have to
select a partner of her own too and she will, a natural partner since he was
Bill’s partner in the police.
Yet Stephen King will remain in this trilogy
the creative mind who exposed the world after the Big Recession of 2008-2009
and celebrated the young black man who saved him and his partner Holly at the
end who of course is like Barack Obama, the last resort in the situation when
all seems to be going to hell, the Deus Ex Machina of the past-present-future
flow of time.
And at the same time King goes a lot farther
than a simple parable of the first black president of the USA. Holly
Gibney will pick his heritage but this woman is autistic and Stephen King is so
modern in his approach of autism, in fact it seems the Asperger syndrome of
autism. He shows how good she can be within her clear cut capabilities and how
tense she can be when dealing with human and physical contact. She sees through
any personality and can ask the very question that leads to the heart of the
matter, but she is irreversibly unable to accept physical contact. She is
blocked in bad habits like smoking and yet she is able to get over it and drop
it. We will never know if it is genetic in her or not. But one thing is sure.
Stephen King insists in the first volume on the cannibalistic attitude of her
mother that locks her up in her neurodiversity as if it were a crime and a
stain on her, the mother’s of course, reputation.
That’s what is most visible in this trilogy.
Stephen King kind of reflects on the world and states we can improve it if we
have the guts to change our bad habits and stand against the individuals who
are the forces of evil.
Dr Jacques COULARDEAU
# posted by Dr. Jacques COULARDEAU @ 10:56 PM
0 comments
Stephen King meets his fate in three stages and will he die?
STEPHEN KING – THE BILL HODGES TRILOGY – VOLUME ONE – MR
MERCEDES – 2014
Don't believe all the book says. There are
some mistakes like for instance the illegality of being able to read all
formats from all zones on one DVD reader. Such a machine exists: it is produced
by Sony, made in Malaysia
and distributed to the whole world from Chicago
by, among others I guess, Amazon. At least the one I have came that way and was
delivered to me by Amazon.fr. Some other elements from police speak are not
always listed in various sites or glossary on the subject. He seems to be using
some shortened forms that are popular in his own living circles. For example
"to steal the peek." It refers to what is called "passive
keyless entry and start" or PKES and the "signal" used to
operate it can be captured from a short distance. As for the expression
"stealing the peek" it does not seem to exist as such. Yet it now
does.
But apart from that the book is not a
glossary of police speak, nor an urban dictionary of crime speak. It is a book
in the line of several books Stephen King has recently written that have to do
with some kind of criminal, some form of crime, and catching the former or
stopping the latter. Here we are dealing with a serial offender who is turning
into a serial mass murderer. That is in no way terrorism and critics like Chuck
Bowen in Slant Magazine, House Next Door are totally wrong when they define the
book as a cop-and-terrorist thriller. Terrorism implies some political aim and
in this case the man is deranged and nothing but a sociopath and psychopath.
The Unibomber was a terrorist since he had a political agenda. But here Stephen
King defines his criminal as a "mad bomber" and that does not make
him a terrorist.
It is a thriller that does not use in any way
supernatural or fantastic means like for instance in Doctor Sleep that deals
with a band of criminals who are in a way living dead people and some kind of
vampires though they do not drink blood but vital energy. It is in the line of
Joyland in which a simple young man is tracking and bringing out and down a
serial killer. Stephen King is thus in line with some of the books he has
written before, though this one is original because it uses an ex-cop, a
retired detective as the main character though Stephen King adds to this man an
underage high school student and a psychologically deranged middle age woman
who is somewhere between neurosis, psychosis and autism, definitely compulsive
obsessive and yet sane enough to be of great help and to manage to get out of
the super low state of mind and extreme dependence she is in at the beginning
and reach some independence and equilibrium at the end.
The main criminal, aka Mr. Mercedes, is a
psychopath and sociopath but as the result of an intense and prolonged trauma
that started when his younger brother came into the picture and when their
father got out of it leaving their mother with two sons, no income or nearly
none, and the younger son is slightly retarded. Misery, poverty and later on
the assassination of the younger son after a dumb accident in which the child
chokes on a slice of apple and his mother aggravates the situation by trying to
get the slice out of his larynx with her fingers instead of using the Heimlich
maneuver. Stephen King knows everything about Heimlich and his maneuver since
he used it in Christine. Thus it is a choice leading to drastic elimination.
The assassination is performed on the incoherent child after his being brought
back to life by doctors with a severe mental impairment by his mother and his
brother together.
Then there is an allusion to a stepfather
who took to using his stepson as a sexual toy torturing him too with cigarettes
and other elements that are not mentioned. The mother took part in the
victimization that implied rape even if it is only alluded to. The child
becomes an adult for sure but attached to his mother and his mother considers
him as a sexual partner, a surrogate to a man who would be her husband or
lover, though with strict limits: she is the onanistic tool of the grown man. I
would say this long lasting trauma can only produce the asocial psychopath we
have in the book, though it is a little bit easy on the inside. The pattern of
a stepfather and a mother victimizing the stepson (and son) is a little bit simple.
We are spared though the direct gay sexuality which would not have been in
anyway sane and the result of a choice, though he is clearly described as a
closet-homo who hates women, especially young women and teenage girls Most of
his direct victims are women, at times unwillingly on his part but women
nevertheless. The last crime he plans is a mass murder of essentially teenage
girls and chaperoning mothers.
What is particularly catching, appealing in
the book is what Chuck Bowen hates. The writing is in a language that borrows a
lot from colloquial discourse and even social dialect. His high school senior
Jerome, a black teenager, uses a lot of linguistic ebonics in his discourse and
this is quite typical of that black young man whose family members have typical
Caucasian, hence American names and he wants to go to Harvard. He is the victim
of quite a lot of racial prejudice in the mild ostracism that has taken the
place of open segregative rejection of previous decades but that is rejection
nevertheless. To compensate for this rejection, and to assert his blackness,
with some white people he is in regular contact, he uses ebonics. This is
natural and even both sane and healthy. That's some kind of homeopathic
medicine to overcome and tolerate any kind of bigotry, present or only intended
around him.
The retired detective, Kermit William
Hodges, is also quite typical of people in his situation. He is alone and he
easily slips into some fattening life style that leads him to overweight and a
coronary accident at the end. He has abandoned all sexual activity that implies
a partner. In other words he is a social and psychological wreck. All the
easier for him to jump on the bandwagon of some police work on the side of
official duties, hence to become an uncle. Since the criminal is making it a
personal case against him he reacts in the very same way and makes it a
personal case against the criminal. Nothing new under the sun. Circumstances
just add some more disinterest from the official police department of the city
that sidetracks him into being his own master in clandestine police work.
Circumstances (his heart attack) will enable him not to perform the last stage
of the neutralization of the criminal.
The writing itself is split into short
sequences jumping from one character to the other, from the retired detective
to the criminal essentially but not only. This is cinematographic writing of
course, which makes this novel into an easily adaptable story for a film. But
that is the way all modern writers write today with TV and cinema in mind.
Chuck Bowen has it wrong: most modern novels have that structure of an
unfinished scenario and that cannot be considered as a shortcoming because it
corresponds to the viewing habits of a modern audience who watches TV series
and films all the time, stories that are more and more exploded into some kind
of mosaic of short sequences.
This very story line is catching and
appealing. We get into the story and then we are in a way mesmerized by the
story telling. We can maybe say everything is understandable before it happens
and we can foresee every event. That is true and false. At every crucial point
in the novel we can see the options that are available to the author. It is
true most of the time what the author chooses is among these options, but it is
only one option in a set of several. The end is predictable and yet apart from
the idea that the criminal will be stopped, we cannot really predict how,
where, when and by whom before it happens. The very conclusion of the novel is
tremendously moving. We cannot resist thinking of Misery, though the cruelty
against Retired Detective K. William Hodges is a lot less intense than that
described in that older novel. The book altogether is more luminous than older
books and is in the line of Joyland as for this luminosity. That is probably
the element that could be regretted: the brutal rude cruelty of the Richard
Bachman side of Stephen King. He seems to have curbed it in his latest novels.
Should we regret it?
But it is true he is experimenting other
styles under the collaborative influence from his son Joe Hill, a novelist of
his own. He has thus a real future and heir for the coming decades in the
cinema, in fiction and in other genres like the musical. Maybe he should concentrate
on these new forms and aim at producing more mini series or films than books.
He maybe has written enough books and should change media. But such a choice
has to be his decision. It is true it is difficult to do better than a good
dozen of his older novels, not to speak of The Dark Tower series, IT or The
Stand that are plain master pieces. But yet there still are some territories he
can explore for our pleasure.
Dr Jacques COULARDEAU
STEPHEN KING – THE BILL
HODGES TRILOGY – VOLUME TWO – FINDERS KEEPERS – 2015
“Mr. Mercedes” was a prodigy in
Stephen King’s long and voluminous work. But this sequel is a miracle this
time. And there are so many reasons that I can only give you a few.
First the suspense is perfect.
The end is unpredictable, really, at most one among many others. It is centered
on a teenager, a junior in high school who is totally trapped by life. And the
big event in his life is the 2009 depression that makes his father unemployed
and his mother unemployed and then employed in a lower job. Then there is the
phenomenal Mercedes terrorist attack at the job fair at the Municipal center.
The son is suffering because his parents are bound to end up in separation and
divorce and he hates the idea, for them, for himself and for his younger sister.
What can HE, HIMSELF and HIM AGAIN do
about it?
That’s the genius of Stephen
King. He knows how to center his stories on children, teenagers particularly,
and he seems to be able to capture their psyche, their strange mind and growing
personality, growing in tortured anguish, awe and angst, permanently victimized
by their own self-centered altruistic ego. They want to do something for other
people and yet it is always for their own sake and that’s why it hurts. So what
happens then? They launch themselves on the most incredible schemes that are
supposed to bring salvation and epiphany, redemption and regeneration to
everyone they may think of, but first of all and mostly to themselves. Then
they will twist their minds and their psyches and their neurons, mirror or not,
because their schemes are bringing some wounds and pains to those they love
instead of only helping them along.
Stephen King has always been able
to do that, to describe that, to delve, dive and soak himself in such
contradictory antagonistic and dialectical good bad-doing or bad good-doing.
You would use a long M word, and that would not be Mercedes, if it were some
solitary play, but these teenagers or tweenagers cannot do anything without
involving other people in their intentions or in their targets, and good
morning Vietnam, let me introduce you to the catastrophe of the century who
kills quite a few people and nearly kills a few more. The criminal, the
psychopath, the sociopath, and whatever else you may think of along that path,
is an ex-convict on parole who is absolutely crazy, I mean a “path” of any type
you can think of: sociopath, psychopath and even, that’s new, just out of the
magic hat, culture-path. The poor man, because it has to be a man, is so
fixated on the work of the writer he killed out of vanity and disillusion that
he is able to kill half a dozen people to just have the chance of reading the
novels this writer never published. Bad luck all along since he is frozen
feces-less by his own intellectual mother and he gets drunk and he rapes a
woman, a substitute for his mother that he would have liked to rape, that he
should in his small logic have raped twenty times at least as soon as he was
something like 12.
Then the heart of the novel is
that the money he stole and the notebooks he stole too from that assassinated
writer, he buries them before being caught raping a woman and before being
railroaded down into some penitentiary for life. Then the whole novel is the
peregrination of the money, that ends up in some charitable saving plan, and
the notebooks, that end up all burnt up in the final catastrophic and abysmally
apocalyptic scene, though six were saved by the teenager who plays hero – maybe
he is in a way – and Stephen King seems to forget about these and seems to
assume that they have all been destroyed. Maybe he should check the loose board
at the back of the closet of this young teenager.
That kind of suspense novel is
perfect, absolutely perfect and Stephen King manages to include some allusions
to some of his short stories and films, but forget about it. It is gently vain
and funnily gentle.
But the book has a tremendous
symbolic value. 185 minus 6 notebooks (if I am not wrong on the numbers) get
burnt up at the end of the book. An “autodafe,” an act of faith my foot, an act
of barbarity from another time, another civilization, another barbarism,
another monstrous inquisition in some Mesoamerican or south American Spanish or
Portuguese colony based on burn them all, the male Indians, and keep the
females for your service. And burn them all they did there in the basement of
that closed and disaffected and abandoned Municipal Centre. All except six of
them. How can Stephen King even imagine such a crime against humanity and
against human culture? I swear I will hate him forever for this act but I must
admit it is the perfect climax in the grisly repellent suspense crime story
this book contains.
And Stephen King cannot obviously
resist putting some “magic” or supernatural energy somewhere, but I can’t
reveal it since it is going to be the starting point of the next volume of this
psychopathic series.
Enjoy the novel, especially at
night, and in the middle of the night get your courage up in your hands and
feet and walk to the out-house at the back of the yard outside in the
pitch-dark night, if you still have an out-house, and imagine the monsters that
are going to catch you while you are tiptoeing along to that small bungalow of
your physiological needs, but please do not wet your pants, underwear or
pajamas, or whatever you are wearing, or the grass if you are wearing no
encasement for your family jewels, just an XXX-large T-shirt you have put on as
a nightshirt with some provocative inscription on it, front and back, like Bill
Hodges’s assistant.
Have a good reading session under
the full moon of all crimes.
Dr Jacques COULARDEAU
STEPHEN KING – THE BILL
HODGES TRILOGY – VOLUME THREE – END OF WATCH – 2016
I will dedicate this review to
our good old friend Bill Hodges, alias Kermit William Hodges, aka Kermit,
otherwise known as the Det-Ret, who died at the end of his third statutory case
and eponymous volume, and was buried in total privacy by his own father and
creator Stephen King when this one was finally through with exploiting the
character in his fictional stories. Let us pray for a minute for this glorious
and courageous character who could not enjoy his fame more than a few months
after his victory and yet in great pain, in spite of morphine.
Now let’s become what we should
always be, busy beavers.
This volume, like the previous
two, could be taken all by itself and that’s how I am going to look at it. We
are dealing with a psychic psychopath, Brady Hartsfield, alias Library Al or Z-boy,
aka Dr Babineau or Dr Z, also named Zeetheend in virtual reality, and even
known as Zappit Zero in game hardware.
We could refresh you on the previous crimes but it is not necessary here and in
the book there is no summary of the previous action or actions though the
essential elements are given by Stephen King when necessary.
But let’s be clear, at least a
little bit more. In the first volume Brady Hartsfield ran a stolen Mercedes
Benz into a crowd waiting for the opening of a special job fair, very early in
the morning in 2009 killing quite a few
and maiming quite a lot more. Later on Brady Hartsfield tries to blow himself
up in a boy-band concert in the middle of thousands of kids, essentially girls,
and parents. He is stopped just in time by Holly Gibney who seriously concusses
his skull and mashes his brain into total coma for a while and a paraplegic
situation afterwards. He thus ends up in a special unit in a hospital in a
state that is declared catatonic though we have a glimpse at the end of the
second volume that he is maybe not completely catatonic, at least not on the
mental side of his being.
The second volume concerns a
completely different business like a vacation from the Hartsfield case, while
this hard-core criminal is recuperating from his catatonic state. A vacation to
recuperate from mental vacancy.
In this here third volume we go
back to Hartsfield and we discover how an over 60 year old doctor used this
patient as a guinea pig for not yet certified experimental drugs under no
control at all. The patient then re-conquers his mind and develops some particular
capabilities, like telekinesis but also the great ability to use hypnosis to
capture the attention of people and take control of their minds and at first
direct them to his obsession, to commit suicide, and even later to host his own
mind and thus transport him in a body that is little by little made a simple
pod for the mind of the criminal Brady Hartsfield. This is not a new idea and
Anne Rice used it a lot in her novel “The Body Thief” where Lestat de
Lioncourt, her vampire, and another man who is in no way a vampire have this
ability and play around with it. Here Brady Hartsfield uses this ability to
move around when he is paraplegic to go and do things he could not do, to organize
his big scheme and set up the whole technical apparatus he needs to do it,
either under the appearance of Library Al, alias Z-Boy, or under the appearance
of Dr Babineau, alias Dr Z.
He will thus buy a whole batch of
game consoles that are out of the market because of some bankruptcy, have them
reprogrammed into hypnotic machines that will enable him to take control of the
minds of the users and lead them to suicide, because his main objective is to
make hundreds of people commit suicide, to start and feed a real suicide
epidemic. He is then known as the Suicide Prince, or Prince Suicide if you
prefer, or even the Prince of Suicide. He is a genius in computer science
though in his hospital wheelchair he cannot do much. He will have to take
control of a girl with whom he had worked in the first volume to be able to
achieve his aim. She is Frederica Linklatter. For the sake of money she finds
herself involved in that completely crazy project. She even let her own lesbian
friend if not partner go just for the thousands of dollars that are falling
into her basket. Then Brady Hartsfield is able to plan and start his vengeance
against three people essentially, Barbara Robinson, a black girl who is
essentially the sister of Jerome Robinson. Brady Hartsfield had noticed her in
his second terrorist attack on the concert. Then he is targeting Jerome
Robinson, a black boy he calls the Det-Ret’s nigger lawnmower, because he used
to do that for Bill Hodges when he was a teenager, and of course Bill Hodges,
though he does not so much want to kill that last one as make him suffer with
the suicide epidemic he is planning.
I am not going to tell the story
that leads to the full and final destruction of Brady Hartsfield. I’m going to
make a few remarks at a wider and higher level.
My first remark is that – for
once – Stephen King closes the trilogy with a “no survivor” situation, at least
the main pair of characters are exterminated, the criminal Brady Hartsfield and
the ex-cop Det-Ret Bill Hodges. The end is not a new beginning. It is a real
end, not like the second coming restart of the Dark Tower,
and if there were to be a new beginning it would have to be of a somewhat
totally different nature. One may out-Caesar Caesar but as long as Caesar and
Brutus are still alive, both of them. Then out-Hodging Hodges becomes
impossible once Hodges is out.
My second remark is that more
than ever the third volume is a metaphor of America. In the previous episodes
the situation was saved by a woman Holly Gibney and a young black teenager
Barbara Robinson. In the same way the second volume was saved by this same
Holly Gibney and a young black teenager Jerome Robinson. In this third volume,
taking place six years after the events of the first Bill Hodges and Holly
Gibney are going to be killed by Brady Hartsfield when Jerome Robinson, now a
young black man, arrives with the cavalry and the cavalry is one horrible
monstrous snow mobile or snow tank that saves the day by crushing Brady
Hartsfield into some dying pulp led to
his own death by such a rolling over and abandoned in the snow storm to freeze
till the cops may arrive. The famous Christine is revisited in this end. Jerome
Robinson is an obvious personification of Obama. Holly is the personification
of Hillary Clinton, except that the woman came first and will stay last. But is
it not the very situation we had in 2008 and then 2016. The Blackman will
naturally move on to his own life.
My third remark is that any
institution in the USA,
including the police, are institutionalized into impotence, and not only by the
Peter Principle. This volume as much as the two previous ones shows how all
institutions are the victims of the ambitions of their members who prefer
messing up a case to jeopardizing their personal goals, though some private
initiative is going to force them into doing what they refused to do at first
and they then are very good at making it part of their plans. They are
vampires sucking the pith and marrow of
the adventurous individuals who seize the day and change the world. At the same
time if they cannot recuperate those adventurous individuals, then they will
push them into oblivion and inexistence by all means possible. Here the X Files
are the matrix of such a bureaucratic administrative perversion we all have
encountered here and there.
My fourth remark is that Stephen
King has become obsessed with and by death, “one foot in the grave and the
other on a banana peal.” (347) There is no escape from some obvious elements in
life – and death. “Friends and neighbors, does the sun rise in the east?” (296)
“If life hands you lemons, make lemonade.” (293) “Two survivors of the City Center
massacre. . . have committed suicide. . .“ (263) No getaway from your fate. Even
if it is racial/racist and sexist. “She is blackish, a word that seems the same
as useless, and she doesn’t deserve to live.” (115) And that fate is often
repaired with patches and elastic bands. “Deep in his thoughts, he misses the
primer-spotted Chevy Malibu for the third time in two days . . . standing next
to it an elderly man in an old Army surplus parka that has been mended with
masking tape.” (108-9) It is all nothing but a backside front countdown. Nine
pink fish to capture that are carrying numbers. Numbers that have to be captured
in these pink fish to add up to one hundred and twenty in one hundred and
twenty seconds. The obsession of the diabolical hour of Jesus’ death on the
cross, the ninth hour. The obsession of the twelve disciples, of the twelve
months of the year, that all accompany the Lord in his death on the cross;
accompany and reject, to maybe recompose themselves when the danger is passed,
except John at the foot of the cross and the two Mary’s, the last two not being
disciples, at least officially, but these are a kid under 15 and two women. And
this book all starts with a survivor of the City Center Massacre, Martine
Stover, being put to sleep by her mother, Mrs. Ellerton, who then commits
suicide.
Seen like that in backward
retrospective the whole book is like a descent into hell and we can then think
of the seven screens of Brady Hartsfield’s own morbid regressive perspective.
(91)
1- His brother Frankie he helped
die by pushing him down some staircase.
2- His mother Deborah he helped
commit suicide with psychic means.
3- Thing One and Thing Two, his
long lived and still-born inventions.
4- Mrs. Trelawney’s gray Mercedes
sedan that killed quite a few at the City
Center.
5- The wheelchair in which his
body is now locked up as the result of his failed attack against the Mingo
Auditorium.
6- A handsome, smiling young man.
. . , the old Det-Ret’s nigger lawn boy.
7- Hodges himself who will lead
the attack bringing the death of this pitiful excuse for anything as far away
as possible from what we generally call a man, and yet this chase will lead to
closure six months later.
How can you be more gruesome in
your regression than that? Just a child turned into a monster by his family
conditions, his jealousy against his little brother, the ambiguous and obscure
role of his mother and this child will grow into a computing genius who will
use his capabilities to in the end commit suicide, kill himself, destroy his
sorry excuse for a human being, but along with dragging as many people down
behind and with him as possible. Don’t tell me that does not exist. San Bernardino, Orlando, Paris, Brussels,
and so many other places where one can die and kill dozens at the same time, as
if these deaths, including theirs, were able to compensate for their mentally
neutered and physically spayed frustration.
Strangely enough I found an
obvious mistake in the book. Page 234 and page 237 the Chevy Malibu, the
possession of Library Al, is absent from Dr Babineau’s property when the police
arrives though Library Al is sleeping and snoring upstairs. This Library Al is
attributed later the coming to Dr Babineau’s, then going to the hospital and
then coming back to Dr Babineau’s and staying there, and yet his car is absent,
and Dr Babineau’s has been shot at, by whom? And this Chevy Malibu is the car
Brady Hartsfield in the body of Dr Babineau uses to get to the hunting camp for
the end of his suicide inflicting and suicide committing mission. This
discrepancy is surprising but I guess when we are dealing with a mental monster
we may lose some threads or some threads may get loose.
I will conclude with a double
question.
Is Stephen King obsessed and
fascinated by his own death, which would be morbid?
Is Stephen King the simple mirror
capturing the reflection of what life is in the world? The obsolute domination
of inflicted and self-inflicted death everywhere in the world? And when there
is no war in a country you can be sure there will be a San
Bernardino in California or an Orlando in Florida
to inflict their load of victims onto our souls and minds.
We could wonder if Stephen King
is not recapturing the self-drawing of blood that was ritualistic among all men
in Maya society a long time ago. And this is only one case of self-sacrifice. What
about the systematic human sacrifice that is still going on in our societies
under the name of the death penalty?
We can go on wondering, but it is
a sad state of affairs in this supposedly civilized world where one candidate
in the US
presidential election is advocating torture not to get information since we all
know it is ineffective for that, but to get even with the barbarity of the
other side. A never ending competition at who was first and who will be last.
There is always an ugly duckling in a brood of
political fledglings.
Dr Jacques COULARDEAU
# posted by Dr. Jacques COULARDEAU @ 2:00 PM
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