JORDI SAVALL – BALKAN SPIRIT – HESPERION XXI – 2013
This collection of music from the
Balkans, from the Mediterranean to the Danube
is extremely important because it is one of the cribs from which European
culture emerged. But we have to be clear here. It was not the only crib. This
is how far the Greek migration from Anatolia
reached at the very most. Romania
was also the limit of the Roman Empire, or
Roman presence, hence their language surrounded by Slavonic languages.
There was another Indo-European migration
along another route, through the Caucasus and then in the vast plains of Russia,
Ukraine and then the Germanic northern half of Western Europe and the Celt
second half of Western Europe that the Romans tried to conquer but did not
really colonized, apart from the Iberian peninsula in depth and Gaul rather
deeply in the Occitan area of today’s France and superficially in the Oil
section of today’s France and in Walloon Belgium. We must also understand that
the Magyars arrived later from another migration from north-eastern Europe and the Finno-Ugric linguistic tradition. And we
have to keep in mind that the Indo-European penetration was not demographic
since only 25% of present day European DNA is from that origin several thousand
years after the ice-age, whereas 75% of the DNA of present day European
population (of European origin) is from the older stock that arrived in Europe
some 45,000 years ago and 25,000 years before the peak of the ice-age. These
older populations, Cro-Magnon, Gravettians, etc., were of Turkic descent and
language.
The Balkans were not different.
The Greeks were first to arrive and settle in the peninsula with the great
advantage they had over the local population since they were arriving with the
military organization of the Indo-Europeans, their agriculture and cattle
husbandry, their commercial practices and their metal work that gave them an
edge in weaponry and war. But they were a minority and they had to integrate in
their own culture the culture of the locals not to completely alienate them,
and eventually to bring them over to their life style, economic model and
language-culture. The basic and symbolical episode is that of the Golden
Fleece, Jason and Medea and how the Turkic culture of Georgia was
integrated, and at the same time brought down, demonized into the Greek
religious culture. I regret that Jordi Savall does not go that far in the
history of this region. It is tentative to start the history of this region in
330 and the founding of Constantinople, founded on the site of the old Greek
city of Byzantion, better known as Byzantium, founded by the Greeks in 657 BCE,
hence practically one thousand years before Constantinople and the Greeks
probably recuperated a site that was already occupied by the Turkic population
that were there before them.
Note too the presence of Islam in
Turkey and beyond did not
start with the Ottoman Empire. Islam arrived
in Anatolia, hence today’s Turkey
in the second half of the 11th century, that is to say before the
FIRST crusade was decided in 1095 and called for by Pope Urban II in Clermont Ferrand, Auvergne,
France. Or so
is the legend going on around this event, and that could only be then because
it is then that the Peace of God movement started in Aurillac, Auvergne, France
in 972 and then to be widened in the Charroux Abbey’s Synod in 989, was finally
endorsed as the Peace of the King in France and other kingdoms in Europe. The
Crusade was the only way to keep the military class fighting but out of the
Christian territories.
One of the leaders of the fourth
Crusade that was to reconquer Constantinople for a while was a certain Conon de
Béthune, a poet from Béthune, Pas de Calais, France, and he is buried in Anatolia.
He became the leader of this re-conquered Constantinople
after the death of Yolande of Hainaut, the Empress of Constantinople, in 1219,
but he died soon after.
I regret this important
shortcoming of the presentation of this region of Europe
and its present day musical culture. This region became at the end of the 15th
century a crossroads of many cultural traditions. First of all the old
traditions from before Christianization, then the Christian, both Orthodox and
Catholic traditions, and we must not forget that the orthodox tradition itself
is divided between the Slavonic tradition and the Greek tradition. We must also
speak of the presence of the Magyars who finally settled in present day Hungary in the
9th century over a period starting in the 5th century,
coming from the Urals and part of the Finno-Ugric linguistic and cultural
family. We must not forget that they are connected to the Hunnic Empire, and
the famous or infamous Attila the Hun, and older versions of the Siegfried
mythology marries Siegfried’s widow to that famous Hun. But apparently they
were pushed back and they settled in a small European territory.
Then at the end of the 15th
century they welcomed the Sephardic Jews expelled from the Iberian
Peninsula, and we must not forget that the Gypsies had been
present in this area for a very long period and we aren’t even sure about their
origin. Many connects them with India,
but there seems to be no real evidence of this connection, except of course
that their language or languages are connected to the Indo-Aryan branch of the
Indo-European family. But the terms are false. In fact the Indo-European and
the Indo-Aryan branches of this family of languages come from the same source,
the languages on the Iranian Plateau in older times even before Zarathustra and
the Zoroastrians and the two branches moved respectively west and east. They
thus are cousins and in no way father-son or mother-daughter. The linguistic
characterization of the Romani Gypsy languages seems to imply a later migration
back west of an Indo-Aryan group of people. But we have no evidence beyond
that, except legends and mythologies.
The final element we must keep in
mind is that the Ottoman Empire with Suleiman the Magnificent and his
successors was extremely open to European cultures and music and his court
counted a lot of artists end composers from Europe.
The presentation seems thus more
romantic about the people in this region than accurate enough about the
tremendous crisscrossed heritages there. Romanticism about the tremendous and
frightening wars of the last thirty years, the role of Europe and NATO in these
wars and their end and now the European integration of these countries into Europe. A particular point has to be taken into account.
These zones came down faster than expected, in spite of the horrors perpetrated
on BOTH sides because the USSR had been dismantled and the Russian president at
the time was a weakling at the international level because he was a highly
incompetent president in Russia itself that was more or less trying not to sink
in spite of the looting some oligarchic social climbers were carrying out on
the whole territory not to speak of the Chechen terroristic problem. In other
words Europe took advantage of this weakness of Russia to take over ex-Yugoslavia
that was crisscrossed by innumerable and absolutely hateful ethnic conflicts
based on ethnic and religious cleansing.
This being said, this CD is a
marvelous compilation of various styles and traditions and this music is
fascinating. Jordi Savall is of course equal to himself and brings together the
best and most representative musicians from these traditions and his work and
rendition is absolutely convincing and trustworthy. This compilation might be
considered later on as a milestone in the rebirth of this vast area, but there
are still a lot of potential conflicts and hatred there. It will be a long
process to bring everyone to the proper understanding that respecting the
others is the basis of the future.
Dr Jacques COULARDEAU
# posted by Dr. Jacques COULARDEAU @ 2:05 AM