CHILDREN OF THE CORN - 40th ANNIVERSARY - 1978-2018
THE AUDIOVISUAL
SAGA
I read the short story a long, very long time ago.
Short stories for Stephen King are a good genre when he wants to have density,
a swift and rapid plot, simple characterization. His normal genre requires
hundreds of pages, at times many hundred pages and one thousand is not an
unreachable goal for him. This short story has had a very special history since
from a short story adapted to the screen as a normal long feature film, it then
developed into so many sequels and more recently even a TV series, that I
turned curious and wanted to see what all that was about. So, I am going to
follow the tracks of those perverse children and see where it is going. It is
not the only case of a novel or short story by Stephen King becoming a whole
set of adaptations with sequels and further developments using the same
characters and situations. At the same time Stephen King is not the only author
who is that successful with film and TV series makers, though the most famous
series of films in that line, I mean Nosferatu, Dracula, Tarzan (this last one
seems to have gone out of business in more recent years if not decades), or
Frankenstein, can spread over a century or so and are more centered on the
character himself, and adventures or developments that have little to do with
the original piece of literature. In the field of action films, there are some
that can never end, even if the main actor retires or just dies. Then a
substitute can start a new batch. The most typical character in that line is
James Bond, and we could think of Terminator too that seems to never come to an
end with or without Schwarzenegger.
So, let’s start this exploration.
STEPHEN KING –
CHILDREN OF THE CORN - 1984
This first film adaptation is based on the short
story with the same title published in
the March 1977 issue of Penthouse and later collected in King's 1978
collection Night Shift. It officially takes place in Nebraska, some out
of the way corn growing village, or small town. The plot is simple. Under the
guidance of some young teenager, all the young people under 18 in the town
decide on one Sunday morning after service in the local church to put to sleep
in a very bloody way all the people over 18. […]
STEPHEN KING –
CHILDREN OF THE CORN II – THE FINAL SACRIFICE – 1992
I was wondering why
the first film and the short story were not clear about the connection of maize
(corn in this US context) was not seen as it was, some kind of genetic miracle
with a Maize God behind it among Native Americans, in fact Native south and
Mesoamericans who managed the genetic manipulation that produced the miracle.
But here we are. We have a real Indian in this second film, Dr. Red Bear. But
what is it that makes maize a diabolical plant?
The maize that all
Americans call corn, the plant that gives popcorn, cornflour and many other
products for animals or for humans, down to corn on the cob, and the bizarre
and perverse role this corn cob plays in a famous novel by William Faulkner, Sanctuary,
that I read when I was definitely not of age. The central criminal moment is
summarized as follows by Wikipedia (slightly edited by myself to stay within
the limits of decency: “But Popeye -and this one is not a sailor eating spinach
straight out of the can-, who has obviously been devising a scheme, soon
discovers them -Tommy and Temple- there -in a corncrib-. He murders Tommy with
a gunshot to the back of the head and then proceeds to -take
advantage of- Temple with a
corncob.” […]
KING – CHILDREN OF
THE CORN III – URBAN HARVEST – 1995
Let’s move
slightly more into the monstrous being this Maize God can be. Gatlin is, of
course, the place where it all starts since it all started there in the past.
Two brothers are orphaned by the death, not at all accidental, of their father
in a cornfield. They are adopted and are moved to Chicago by their new parents.
The younger
one is Eli and the older one is Joshua. Two brothers with Biblical names and
like the famous Hero Twins, the sons of the Maize god, one of the two is a lot
closer to the Maize God and the other is sort of following his younger brother.
It is, of course, an allusion to the Biblical Abel and Cain and a few other
pairs of the type. The younger brother is Elias or Elijah, and in the Bible his
career is astounding. No career
in the Old Testament is more vividly portrayed or has as much appeal as that of
the unique character of Elijah. The New Testament attests to his greatness and
reveals what an indelible impression he made upon the mind of his nation. All
we know of him before his dramatic appearance can be summed up in the words:
“Elijah the Tishbite, who was of the inhabitants of Gilead” (1 Kings 17:1).
Note here the initial of this place is the same as that of Gatlin, and Gilead
was also used by Margaret Atwood in her novel The Handmaid’s Tale, for
the religious fanatic version of New York she describes. […]
STEPHEN KING –
CHILDREN OF THE CORN IV – THE GATHERING – 1996
Back to Gatlin, back in Gatlin, back in time too. To go back in time,
they need to identify the evil spirit they are going to confront and fight, and
at the same time, they have to explain what happened to him. This evil spirit
is Josiah, a child preacher exploited by other preachers and his mother and
abandoned by them in Gatlin. Then he kills the preachers the next year they
return to the town. The townspeople find out about the boy and him being evil,
so they burn him alive and bury his ashes in a well. The story about Josiah and
what was done to him is told by two old ladies and they tell it while serving
and drinking tea. They connect the abandonment of Josiah by his mother as the
way for him to be brought back by finding a child who had also been abandoned
and deceived by his or her mother. In this case it is Margaret Rhodes, the sister
of the main character Grace Rhodes, though I must admit it is slightly
difficult to know who is who. […]
STEPHEN KING –
CHILDREN OF THE CORN V – FIELDS OF TERROR – 1998
Back to basics but with a twist. Back in Gatlin
where a sect has been established in a private property, A farm growing corn of
course, under the authority of Luke Enright, the owner of the farm and
property. Strangely enough, he is the one who has the name of an apostle and he
is the one who is covering the sect and is manipulated by the sect and will end
up destroyed in two seconds by the child propjet. The child prophet is
Ezeekial. The prophet Ezekiel is one of four Major Prophets along
with Isaiah, Jeremiah, and Daniel in the Old Testament of
the Bible. The priest Ezekiel was the first prophet to be called by the
Lord outside of Israel during the Babylonian Captivity. Deported to Babylon by
the river Chebar in 597 BCE, Ezekiel was truly an exilic prophet, who foresaw
both the Fall of Jerusalem in 586 BCE, but also the Restoration of
Israel and the Temple. The central figure in the Book of Ezekiel is God.
The book opens with a unique vision of the glory of the Lord. The phrase
"you shall know that I am the Lord" recurs 33 times throughout the
text. While he punishes Israel for their idolatry and disobedience, his love
for his creation mankind prevails in the end. God the Creator calls Ezekiel
"Son of Man" 93 times. […]
STEPHEN KING –
CHILDREN OF THE CORN 666: ISAAC’S RETURN - 1999
Let’s go down into the prophecies from the Old
Testament entirely reinterpreted by the Maize God of the Mayas. But we all know
the story of Isaac, or so we say. It is the story of two brothers of the same
father, Abraham, but different mothers, the first one a slave servant Haggar of
Abraham’s wife Sara, and the second Sara herself, at least fourteen years
later. But let me quote the story, slightly reduced and edited.
Genesis
16 King James Version (KJV) The birth of Ishmael from Haggar
15 And
Hagar bare Abram a son: and Abram called his son's name, which Hagar bare,
Ishmael. 16 And Abram was fourscore and six years old when
Hagar bare Ishmael to Abram.
Genesis
21 King James Version (KJV) The birth of Isaac and the ban of Ishmael and
Haggar
1 And
the Lord visited Sarah as he had said, and the Lord did
unto Sarah as he had spoken. 2 For Sarah conceived, and bare
Abraham a son in his old age, at the set time of which God had spoken to him. 3 And
Abraham called the name of his son that was born unto him, whom Sarah bare to
him, Isaac… 9 And Sarah saw the son of Hagar the Egyptian,
which she had born unto Abraham, mocking. 10 Wherefore she said
unto Abraham, Cast out this bondwoman and her son: for the son of this
bondwoman shall not be heir with my son, even with Isaac… 14 And
Abraham rose up early in the morning, and took bread, and a bottle of water,
and gave it unto Hagar, putting it on her shoulder, and the child, and sent her
away: and she departed, and wandered in the wilderness of Beersheba.
15 And
the water was spent in the bottle, and she cast the child under one of the
shrubs… 20 And God was with the lad; and he grew, and dwelt in
the wilderness, and became an archer. 21 And he dwelt in the
wilderness of Paran: and his mother took him a wife out of the land of Egypt.
Genesis
22 King James Version (KJV) The sacrifice of Isaac
1 And
it came to pass after these things, that God did tempt Abraham, and said unto
him, Abraham: and he said, Behold, here I am. 2 And he said,
Take now thy son, thine only son Isaac, whom thou lovest, and get thee into the
land of Moriah; and offer him there for a burnt offering upon one of the
mountains which I will tell thee of. 3 And Abraham rose up
early in the morning, and saddled his ass, and took two of his young men with
him, and Isaac his son, and clave the wood for the burnt offering, and rose up,
and went unto the place of which God had told him… 6 And
Abraham took the wood of the burnt offering, and laid it upon Isaac his son;
and he took the fire in his hand, and a knife; and they went both of them
together… 9 And they came to the place which God had told him
of; and Abraham built an altar there, and laid the wood in order, and bound
Isaac his son, and laid him on the altar upon the wood. 10 And
Abraham stretched forth his hand and took the knife to slay his son. 11 And
the angel of the Lord called unto him out of heaven, and said,
Abraham, Abraham: and he said, Here am I. 12 And he said, Lay
not thine hand upon the lad, neither do thou anything unto him: for now I know
that thou fearest God, seeing thou hast not withheld thy son, thine only son
from me. 13 And Abraham lifted up his eyes, and looked, and
behold behind him a ram caught in a thicket by his horns: and Abraham went and
took the ram and offered him up for a burnt offering in the stead of his son. […]
STEPHEN KING –
CHILDREN OF THE CORN VII: REVELATION - 2001
There you really lose the thread and loosen the
plot of the saga. We are dealing with a young woman who comes to Gatlin to find
her grandmother and when she arrives she finds a very strange situation in the
ancient block of flats the grandmother lives in and the grandmother is nowhere
to be found. But it all started with the grandmother, Hattie Soames, waking up
in the middle of the night, the victim of a dreadful nightmare and she races
outside her apartment and the building into the night wondering where someone
is, calling for him.
Jamie arrives finds her grandmother missing, goes
to the police where she meets a certain plainclothes officer Armbrister who
does not react really. The following day, Jamie goes back to Armbrister. who
has been doing some background checks on Jamie's missing grandmother. He has
learned that sixty years ago, Hattie Soames was a child involved with a
children's cult known as the Agents of Satan. The cult committed mass ritual
suicide during a tent revival by setting themselves on fire. Hattie was the
only one to survive. Jamie finds an old picture of her grandmother as a little
girl with the cult leader, Abel. Armbrister agrees to accompany Jamie back to
the apartment. […]
STEPHEN KING –
CHILDREN OF THE CORN - 2009
This television production is trying to go back to
the very core of the original novella and first film adaptation. They get rid
of all the smoochy melodramatic details, and there were a lot, to come to the
simplest trap you can imagine. For this reason, Burt is a Vietnam vet, an
ex-marine. Vicki is a preacher’s daughter and she is black. That, of course,
makes many things a lot more realistic and probable if not believable. […]
STEPHEN KING –
CHILDREN OF THE CORN: GENESIS – 2011
A Small
film in the saga and strange continuation that is supposed to be an extension
OF Children of the Corn. A casual survivor of the initial massacre of
all adults in Gatlin – he was serving in foreign countries as a GI at the time
– has turned himself into a preacher of the corn revolution. He is married to a
Russian girl. A real marriage? A real Russian? They have a child. Their real
child? He has very strong telekinetic powers. He is able to move objects and
people from a distance. He is locked up in a barn, though he can open the
padlock any time. This child just requires a new woman regularly. All women who
go by are in a way or another captured by him and he will take advantage of
them till he kills them on a hunch or sudden whimsical inspiration. […]
STEPHEN KING – CHILDREN
OF THE CORN – RUNAWAY – 2018
This
film, or video production, is maybe the ultimate ending of the saga since it is
not an ending but a second start all over again. In Gatlin, a long time ago,
thirteen years ago if I am not wrong, all the children of the cult that killed
all the adults in the name of He Who Walks Behind the Rows were burned in no accidental event but in a willful act
to get rid of the cult and the followers of it. We had already been told in one
or two of the films of the saga that one actually escaped the fire. In fact,
more than one did. The one with the biblical name of Ruth, originally Sandy,
was pregnant at the time and she escaped the blaze. In fact, this film says she
started it. At least one more escaped, a woman too, a girl at the time, Sarah
who is the friendly Diner’s boss, a friendly front that hides her real
intention: to recapture Ruth and get a real vengeance by having Ruth’s son,
Aaron, kill his own mother. […]
The Corn Story is a never-ending story.
Dr. Jacques COULARDEAU
# posted by Dr. Jacques COULARDEAU @ 8:51 AM
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FIFTH DELIVERY – CINQUIÈME LIVRAISON
LOUPS
GAROUS ET VAMPIRES
Les chroniques quotidiennes que l'on obtient sur tous
les médias et en particulier sur les réseaux sociaux ne sont que des histoires
de violences, de tueries, de guerres, de tout ce que vous pouvez imaginer qui
met en péril la vie des autres, toujours des autres bien sûr, et cela
vise à vous faire peur.
Pourquoi
vous faire peur?
Mais pour une simple raison. L''ordre établi prospère quand la peur règne sur
tous les horizons. Est-ce à dire que la littérature d'horreur, la littérature
fantastique, la littérature du crime et pretendûment policière, y compris quand
ils passent sur les médias télévisuels ou internet, ne sont que des complices
de l'ordre établi qui produit la violence, la haine, le racisme et la
guerre?
J'en ai bien peur, surtout quand ils prétendent ne pas
faire de politique. Vous savez: "Moi, ni républicain, ni démocrate, ni
extrême de quoi que ce soit, simplement pour le respect pour chacun d'entre
nous de notre territoire, de notre culture, de nos traditions, car après tout,
nous sommes tous ici des descendants des Gaulois Caucasiens Blancs Chrétiens
Indo-Européens grands amateurs de cochon, de vin et de maisons closes, qui
d'ailleurs devraient être largement ouvertes pour permettre la chasse au
plaisir tous les jours et toutes les nuits., sans le moindre contrôle pour
l'obtention des armes nécessaires à ces plaisirs."
Laissez-les
jouir en paix!
Radio Craponne 1998-1999
JACQUES COULARDEAU’S CHANNEL
Science fiction horrifique musicale
de Jacques Coulardeau
© 2019 pour la présente
vidéo
Mise en forme en 2019
technique et grapphique par Annnunzio Coulardeau
sur des oeuvres plastiques
originales propres.
Mise en voix et mise en
forme technique audio par Jacques Coulardeau et Christophe Semez en 1998-99
pour diffusion différée sur Radio Craponne, Craponne, Haute Loire
Loups Garous & Vampires (5)
Jacques Coulardeau, Annunzio Coulardeau, Christophe
Semez
Il s'agit ici de la
quatrième livraison de tous les textes dont je suis l'auteur produits et
diffusés par Radio Craponne en 1998-1999 dans le cadre de l'émission « Loups
Garous et Vampires, La Descente sur la Ville » en partenariat avec Christophe
Semez.
Ici il s'agit de
vidéos donnant à entendre les textes mis en voix par moi-même et Christophe
Semez sur des images d'Annunzio Coulardeau qui a assuré en son temps une
portion de la technique en 98-99 et qui ici a la maîtrise de la création vidéo.
C'était un temps où
après plus de vingt ans de travail de création en radio, j'avais comme une
palette de voix dignes des meileurs théâtres de marionnettes. Sans
fanfaronnades mais sans fausse modestie. Je touche d'ailleurs une pension SCAM
à ce titre.
Mais le vent souffle
et s'essouffle et il est temps de mettre toutes ces feuilles sur les arbres
pour que l'automne les emportent aux quatre coin de la sphère terrestre
Nouvelles mises en ligne
Ligne HAUTE TENSION
NUE COMME UN VER – 2ème
PARTIE
NUE COMME UN VER – 3ème
PARTIE
LES QUATRE MURS DE
MA MAISON
BON VOYAGE EN MÉGALOMANIE
NARCISSIQUE GALOPANTE
# posted by Dr. Jacques COULARDEAU @ 4:22 AM
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