Tuesday, July 01, 2025

 

It is so easy to become "color" blind!!!

 

Never Forget Slavery

ONCE A CHRISTIAN SLAVE IN MEXICO, NOT FOR VERY LONG!

https://jacquescoulardeau.medium.com/never-forget-slavery-5b1cc509ebec

 


Colonial Blackness by Herman L. Bennett is trying to rebuild the past of Mexico when it was using a lot of Black slaves. He is not so much interested in their treatment under slavery, but what they became after slavery and how they managed to get out of it fast and in great numbers. Manumission was the main way for them to get their freedom back, and in Catholic Mexico, manumission worked very well. You arrived a slave in Mexico, but many, though we have no real data, did not die slaves.

 

The Catholic Church, both the Inquisition and the Crown, imposed very strict rules about slaves having to be christened and to become Christians with the necessary education to be able to take part in the various rituals and services. The very first rule was slaves had to marry, and that’s where Bennett found most of his information since slavery had no archives and registries were fictitious. But religious or royal courts were a lot more faithful and detailed.


 

It is this catholic policy that considered the salves had been entrusted to Christians in Mexico for these Christians to take care of them. Thus, they could not remain slaves very long and they had to prove they were worth being freed. They had many occasions to prove their worthiness: delivering and collecting messages, providing the households with what they needed to just plainly live, hence go “shopping” or rather “marketing.” They could also be used as a guarantee in some commercial bargain.

 

Bennett insists on the fact that the shift to Catholicism was essential for these slaves to know they were not entirely and forever slaves. If they could be christened, if they could really believe in Jesus Christ, they had some inner worth as individuals, as human beings, as persons. The shift from African heritage or Indian heritage led the Black slaves who married Indian women to shift their religious faith together, simultaneously and reciprocally.


 

Open question: How did the Mayas shift from Kukulkan to Jesus Christ?

 

Academia.edu Comment

Jacques Coulardeau uploaded a paper

Bennett did a pretty interesting research there, though he did not specify how, for example, a Maya woman could shift before marrying her slave Black husband-to-be from Kukulkan or Jun Nal Ye to Jesus Christ.

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Le contenu généré par l’IA peut être incorrect.    

Never Forget Slavery

by Jacques Coulardeau

2025 • Éditions La Dondaine, Medium.com

11 Pages

History of Slavery,  * Spain,  * Mexico,  * Catholic Church,  * Manumission


Friday, June 27, 2025

 

Medea has been our mental monster for millennia

 

MÈRE MONSTRE FEMME

MOTHER MONSTER WOMAN

https://jacquescoulardeau.medium.com/m%C3%A8re-monstre-femme-mother-monster-woman-bdfac37ef82f


 

Qui es-tu donc, Femme au nom double et maudit, seule sur scène ? Pourquoi donc hurles-tu ta colère, ta rage, ton désir sans fin possible de vengeance, et surtout pas de justice ? Je suis Médée, comme la Gorgone décapitée de Persée, comme la Kali, trayeuse de vie et de sang. Amante et mère, trahie et meurtrie, jze clame mon errance depuis un Orient où je serait née, dit une trahison iconoclaste de toute mythologie.


 

Who are you, Woman with a double and cursed name, alone on stage? Why do you scream your anger, your rage, your endless desire for revenge, and especially not for justice? I am Medea, like Perseus's decapitated Gorgon, like Kali, the milker of life and blood. A lover and a mother betrayed and wounded, I proclaim my wandering from an Orient where I was born, says an iconoclastic betrayal of all mythology.



I would not advise using this play in class because it would explain to all students, even kindergarten kids, how to use knives to get what they want, and that is becoming a habit, a culture, an adventure in more and more French primary schools and some middle schools.


 

Je conseillerais de ne pas utiliser cette pièce en classe car elle expliquerait à tous les élèves, même de maternelle, comment ils peuvent utiliser des couteaux pour obtenir ce qu'ils veulent, et cela devient une habitude, une culture, une aventure dans de plus en plus d'écoles primaires en France et certains collèges français.


 
Academia.edu Comment

Jacques Coulardeau uploaded a paper

The myth is betrayed with some monstrous hybridization


MÈRE MONSTRE FEMME - MOTHER MONSTER WOMAN

by Jacques Coulardeau

2025 • Éditions La Dondaine, Medium.com

6 Pages

Mythology,  *  Sigmund Freud,  *  Infanticide,  *  Motherhood,  *  Womanhood


Tuesday, June 24, 2025

 

Empalé sur une Kalashnikov, le pied!

 

GRAFFITI, ÇA PROFITE,

LA CHAUX VIVE, T2C GRAFFITÉ

https://jacquescoulardeau.medium.com/graffiti-%C3%A7a-profite-la-chaux-vive-t2c-graffit%C3%A9-4e0826ca766d

 


Dans Les Petits Princes de la cité, Laurent Mathoux dresse le portrait brut et poignant de deux adolescents perdus entre rêves d’argent facile et ruptures familiales. À travers les trajectoires de Diego (tué par une Kalachnikov de la drogue) et Elvis (tué par un obus israélien à Gaza), il dévoile l’envers du décor des cités françaises, avec une plume aussi vive que réaliste.
Un roman fort, sans concession, qui interroge nos regards sur la jeunesse, la débrouille, et la difficulté d’échapper à son milieu. Venez découvrir une histoire à la fois rude et profondément humaine.


 

Extrait Page 86 :

« Momo montra du doigt les jeunes qu'il avait placés aux points cardinaux du carrefour.

Autour du charbonneur, il y a d'autres guetteurs. Y'en a un là-bas, un autre là, et un ici déclara Momo en montrant du doigt les gars placés aux points névralgiques du carrefour. Chacun reste dans son coin et surveille sa zone. Hors de question de se regrouper et de discuter. Les groupes de jeunes, ça inquiète les clients. C'est pour ça que je ne fais pas bosser les potes ensemble. Ça forme vite une bande, ça chahute, ça fait les cons et ça ne surveille plus rien. C'est comme ça que les emmerdements arrivent. Je paye et tu bosses pour moi. T'es pas là pour rigoler, mec. T’as pigé ?

Intimidé, Diego acquiesça. »





Friday, June 20, 2025

 

Time Machine and New Speak lead to the Thought Police and Big Brother.

 

We are Living in a Dangerous Multilingual World!

https://jacquescoulardeau.medium.com/we-are-living-in-a-dangerous-multilingual-world-ad80357246eb

 


They say Artificial Intelligence will solve that problem in a jiffy. They are telling you a tall tale straight from Mark Twain’s trove. It may compare with “The Celebrated Jumping Frog of Calaveras County.”

Only a maximum of twelve languages will be able to have an AI, hence translation machines, because only them will have a big enough LLM to be able to produce and train an Artificial Intelligence.

 

That’s the positive element.

 

But on the negative side, several (many) thousand languages will not be able to have an AI, hence a translation machine.


 

The real danger is the homogenization of AI-compatible languages and the statistical customization of all languages on the pattern of these twelve languages. You must be joking! On the model of only ONE AI-compatible language, English, and all other languages will be in contact with this “English-Norm,” and all languages will follow the AI-customized English that all machines, all media, and all people will be repeating after the AI translation machine: “My tailor is rich,” the first sentence of L'Anglais sans peine, the first work in the Assimil method for learning English, written by Alphonse Chérel in 1929.

 

Is that the future of humanity, or the bad nightmare of a cat lost in the jigsaw puzzle of a supernatural spiritual Cat Country?

 


Or maybe the Time Machine that will take us to paradise in a universe at least three million light years away from this dirty earth, in whose mud we are swaddling ourselves piggishly.


 

Academia.edu Comment

Jacques Coulardeau uploaded a paper

Hominins have always been migrating species, all the more with articulated languages, from Black Africa to the Moon, and soon to Mars.



We are Living in a Dangerous Multilingual World!

by Jacques Coulardeau

2025 • Éditions La Dondaine, Medium.com

13 Pages

Languages and Linguistics,  *  Contact Linguistics,  *  Borrowing,  *  Phylogeny,  *  Migrations




 


Tuesday, June 03, 2025

 

The Psycho Mechanisms of Movement

 

AIPL & ARTIFICIAL INTELLIGENCE IN SORBONNE

https://jacquescoulardeau.medium.com/paris-sorbonne-psychom%C3%A9canique-f676094b4a18


Je vous l’annonce. C’est pour tout de suite. Ne le manquez pas. IA en prime.

L’Intelligence Artificielle est à l’initiale de l’AIPL, et en plus en anglais.

Que peut vouloir le peuple des psychomécaniciens ?

Qu’on respecte un peu davantage l’intelligence naturelle !

Mais c’est quoi ce charabia ?

La langue cosmique du Seigneur de l’Univers des Anneaux

qui rit de nous voir UNDER THE DOME de Stephen King.

Geste(s) & Mouvement(s) en sciences du langage : théories, représentations, applications

XVIIe colloque international de l’AIPL 12-13 juin 2025

Sorbonne Université, Salle des actes 17 rue de la Sorbonne, Paris

https://aipl17.sciencesconf.org 

4 Pages




2025, Éditions La Dondaine, Medium.com

Languages and Linguistics,  *  Language Variation and Change,  *  Community Interpreting,  *  Phylogeny,  *  psychomechanics of language (Gustave Guillaume)


Wednesday, May 14, 2025

 

To be a vengeful woman in the Far West is like suicide

 

THREE AVENGERS, SIX VICTIMS, PLUS EXTRAS!

https://jacquescoulardeau.medium.com/three-avengers-six-victims-plus-extras-92bb56b620d1


 

I am starting a full coverage of about 12 films by or with John Wayne. I have hardly watched his films at all in the past for various reasons, like killing Indians, and because my late eldest brother only swore by them. He was a fly taken by the sugary white caucasian racist crystallized approach of these primitive, if not barbarian, Indians. It is high time to reassess this actor and his films. They are built with a lot of stereotypes that target the Western public after 1945, and even beyond. It was an essential cultural apparatus targeting that public to enable the USA to play a leading role in the world.

 

True Grits is symbolic of ultimate crimes with the number three of the Christian Trinity, and the six – maybe seven, who knows, the Holy Week? – victims lying down in the dirt like a yellow Star of David, abandoned by some Auschwitz “tourist” that had no return ticket. Not easy to be a woman in this world and to look for vengeance, which is unacceptable in any decent world of decent decency. The Trinity again.


Academia.edu Comment

Jacques Coulardeau uploaded a paper

To be a girl in the Far West was like being an elephant in a glasshouse. It breaks or it takes, but it takes a lot more than plain charm.

THREE AVENGERS, SIX PLUS EXTRAS

by Jacques Coulardeau

2025 • Éditions La Dondaine, Medium.com

Criminal Justice,  *  Violence,  *  Cowboys,  *  John Wayne,  *  Vengeance




Saturday, May 10, 2025

 

Nothing better than an English crime story

 

BRIGHTON, GRACE, AND SORDID CRIMES

https://jacquescoulardeau.medium.com/brighton-grace-and-sordid-crimes-f0ea13d27de0


 

You will necessarily think of The Who and their opera Quadrophenia set in Brighton.

Quadrophenia Alley is a must-visit location for any fan of British pop culture. Nestled in the vibrant city of Brighton, this small alleyway holds significant historical and cultural value due to its association with one of the most iconic films in British cinema – Quadrophenia.

The History Behind Quadrophenia Alley

In 1979, director Franc Roddam brought The Who’s rock opera ‘Quadrophenia’ to life on screen. The film tells the story of Jimmy Cooper, a young mod struggling with his identity amidst societal pressures and expectations. A key part of this narrative was set against the backdrop of Brighton – a town which was central to Mod culture in Britain during the 1960s.

The narrow alleyway now known as Quadrophenia Alley gained prominence when it featured prominently in several scenes throughout the movie. In particular, it served as an atmospheric setting for some pivotal moments between lead characters Jimmy (Phil Daniels) and Steph (Leslie Ash).

(Thanks https://explorial.com/sights/brighton-quadrophenia-alley/)

But the music is original in the series. Composed by Matthew Slater, it has little to do with Quadrophenia. Even if the opera should, could and would deserve a comeback and a second production, slightly updated. The Mods and the Rockers are vastly passé, déjàvu, stale, though they still exist under different costumes for those who fit the norm and those who counterfit it, or vice versa.


 

BRIGHTON, GRACE, AND SORDID CRIMES

By Jacques Coulardeau

4 Pages

2025, Éditions La Dondaine, Medium.com

Police Science,  *  Crime,  *  Brighton,  *  Dickens Bleak House Literature English Letters Identity Construction Documents,  *  Escape




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