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WILLIAM SHAKESPEARE – RICHARD II – BBC – 1978
This is a great play
with the full music of Shakespearean language, including the music, loud
indeed, of historical semantics. But let me BE more to the point.
We have here the story
of King Richard II, the son of the Black Prince, born in Bordeaux. In the play he starts with grandeur
and grandiose pompousness and that is emphasized by costumes that are heavy and
huge. Confronted with Bolingbroke’s accusations against Thomas Mowbray, duke of
Norfolk, and
vice versa in some reciprocal verbal vendetta. They agree on an ordeal, in fact
a fight to the death like some feudal tournament, the winner is innocent, the
other is dead. The king then appears reasonable, and yet he stops the fight
just before it starts and banishes the two young men. Mowbray for life and his
cousin Bolingbroke for ten years, reduced to six on the appeal from John of
Gaunt, Duke of Lancaster, and the father of Bolingbroke. Strangely enough the
King has two uncles, Edmund of Langley, duke of York, and John of Gaunt, duke
of Lancaster,
but no father of course since he died on 1376.
Then the king decides to
go to Ireland
for some expedition, military tourism of the time. On his way he visits John of
Gaunt who is dying and dies in front of him and the king reveals his real
nature. We know he is slightly tyrannical, definitely nepotistic and extremely
vain in his anti-feudal stance against a fight to deliver justice. But after
the death of his uncle John of Gaunt he announces that he will seize the whole
assets of the man, castle, money, land, along with the chattel (including the
serfs of course). He thus dispossesses his cousin who is not present since he
has been banished. The king appears there as someone who should retire from
power, but in feudal times that was not the normal procedure, and in fact no
one could or should even hint at questioning the authority of the King: that
was treason and nothing else, a treason totally enforced by the authority of
the church, and that is one stake of this play. The king leaves his other uncle
Edmund of Langley, Duke of York, as the regent during his absence. We can see
the rivalry between the two houses of York and Lancaster, the famous two
roses, getting in place and Richard II is vastly responsible for what was going
to happen.
Back from Ireland he finds himself in front of a rebellion
led by Bolingbroke, the duke of Lancaster,
who has come back from exile with no permission and who, though dispossessed,
has managed to get the nobles on his side and the king has to resign, or
abdicate. Shakespeare insists on this abdication and the subsequent coronation,
imprisonment and final assassination. It is important to know that such a
procedure is not possible: that’s why the church is reluctant and the play
insists on the fact that he is not dismissed, but he voluntarily abdicates in
favor of his cousin Henry. But in the mean time the son of the Duke of York,
the duke of Aumerle has been convicted of treason and condemned to death. He is
part of some plot involving the church. His mother and father go plead with the
king, the new king, Henry IV who yields on this Duke of Aumerle but on none of
the other plotters. At this moment we can see the war of the Roses behind,
looming up slowly since the King is now a Lancaster
and the plotters are around as well as inside the house of York. The pardon to the son will leave the
house of York with a direct heir and that pardon
was probably a mistake from the Lancaster
the king is, but history is full of mistakes.
This play has very
lyrical moments that are creative reflections on power, the isolation of power,
the sadness of power and yet the responsibility of power. Richard II thinks he
is power by essence and thus his abdication should physically destroy him,
which is not the case. At the same time the rivalry between the two houses is
coming up slowly but it is inflamed by the zeal of some courtiers. In this case
the assassination of Richard is a direct provocation against the house of York, and at the same time
the pardon to the Duke of Aumerle is an act of weakness that does not improve
anything.
In spite of the dramatic
events, and the tragic though slightly melodramatic end, of this play the
historical reflection it contains is probably not that clear, not that fully
constructed. I mean it is contradictory. The characters are not always
conscious they have to accept power and do what the situation requires. Richard
II becomes dictatorial with age, which is abuse of power, though he is rather
young when he falls, and Henry IV is rather hesitant and lacks determination at
the end of the play, at the beginning of his reign, and Shakespeare shows how
the clergy and some nobles are plotting in the wings, behind the back of the
king. In feudal times a king could only grant his own abdication and he would
do this only if ge felt there was a full alliance of the nobles and the church
against him: that’s at least what happened with Magna Carta.
That’s Shakespeare’s
conception of politics: it is always fishing in dark water, maneuvering with no
visibility, speculating with no specular mirror or magnifying glass, hence
seeing nothing, neither any reflection nor any enlarged picture. This history
though does not have any comical scene or character, apart from the scene in
some bathing and massaging hall or cellar, the king is having some fun with his
“creatures Bushy, Bagot and Green. He is being massaged by one while another is
taking a bath and the third one is pouring the water. This might be some kind
of innuendo on the fleshy games the king is supposed to like. Little is shown
with women and quite enough is shown with men for the audience to think that
the king is maybe slightly perverse, but such manly games were common at the
time. In other words the play is entirely dramatic and of one tone.
What is surprising
though is the fact that in this production, instead of using a real castle when
necessary they preferred something that looks like a painted wooden structure,
as if they did not have real castles, especially since they show us some from a
distance.
Dr Jacques COULARDEAU
# posted by Dr. Jacques COULARDEAU @ 12:57 AM